GSD Course Bulletin - Fall 2011

This term's information was last refreshed on 12 MAY 2015 14:52:56.

Courses taught by Giuliana Bruno

04131: Film, Modernity and Visual Culture (HIS 0413100)

Lecture - 4 credits
Thursday 11:30 - 1:00   Carpenter Center B04
Wednesday 7:00 - 9:00   Carpenter Center - Lecture Hall

Giuliana Bruno

Course Description

Cinema has changed the way we see and think. Modern visual culture develops with the art of film. Course considers this major 20th century shift in visual perception. We look at "motion" pictures as a product of modernity, born of scientific motion studies, aesthetic and cultural mobility. We relate film to the moving experience of urban space. Key writings and films engage sites of modern movement: home(land) and city, voyage and transport, gender and body.Note: Recommended as preparation for 4351 and 4352.The first meeting of tis class is on Thursday, September 8th at 11:30 AM.

Courseware site (Canvas)

09305: Master of Design Studies Final Project (ADV 0930500)

Architecture, Landscape Architecture, Urban Planning and Design
Independent Study - 0 credits

Neil Brenner, Giuliana Bruno, K. Michael Hays, Sanford Kwinter, Erika Naginski, Jeffrey Schnapp, Krzysztof Wodiczko

Course Description

The Final Project will consist of a theoretical/position component, and of a practical/experimental component. The scope of each of the two components will be determined according to the student's preference, and considering the specific character of the project in consultation with the area coordinator and the advisor. In exceptional cases the final project may be solely based on (expanded in scope and ambition) a theoretical component. A theoretical, written component is required for all final projects. The final project is equivalent to 8 units of courseworkTheoretical/Position component-A written document presenting the original contribution to, and original argument for your artistic/design/research project defended within the context of current discourses in relevant disciplinary fields. The theoretical argument must present the original methodology of the project and position it in relation to:-Relevant present day artistic and design practices and their specific methodologies-Relevant theoretical and critical discourses (including your elaborations on relevant "pro" and "contra" positions)-The relevant historical tradition Practical/Experimental componentThis component involves an original artistic/design project conceived, developed and presented as a public presentation, exhibition, installation, performance, action, and intervention in a physical or/and electronic space. The public presentation is a crucial part of the final project and is required. The Final Project's printed presentation as publishable document (that contains the theoretical argument and a graphic and textual presentation of the practical/experimental component)is also required.

Courseware site (Canvas)

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