Introduction to the language of film theory, aimed at developing analytic skills to interpret films. A historical survey that spans turn-of-the-century scientific motion studies to the emotion studies of Hugo M?nsterberg, and reaches the virtual movements of our new millennium. Considers Eisenstein\’s theory of montage, the cultural history of the cinematic apparatus, and the body of physical existence, going from Kracauer to gender studies. Different theoretical positions open up our understanding of films, and guide us in reading them. Note: The first class meeting will be on Thursday, February 3.