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Curriculum Vitae
| Education | |
| 1990 | PhD in the Field of Architecture, Art, and Environmental Studies Massachusetts Institute of Technology. Major field: European modernism; minor field: critical theory |
| 1979 | MArch in Advanced Studies in History and Theory of Architecture, Massachusetts Institute of Technology |
| 1976 | BArch, Georgia Institute of Technology |
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| Academic Experience | |
| 2002- | Eliot Noyes Professor of Architectural Theory, Harvard University GSD |
| 2008- | Co-Director of Doctoral Programs, Harvard University Graduate School of Design |
| 1995-2005 | Director, Advanced Studies Programs, Harvard University GSD |
| 1995-2005 | Chair, Committee on the PhD in Architecture, Landscape Architecture, and Urban Planning, Harvard University GSD |
| 1995-2001 | Professor of Architectural Theory, Harvard University GSD |
| 1990-1995 | Associate Professor of Architecture, Harvard University GSD |
| 1988-1990 | Assistant Professor of Architecture, Harvard University GSD |
| 1992 | Visiting Lecturer in Architecture, Columbia University |
| Visiting Lecturer in Architecture, Cornell University | |
| 1986-1988 | Lecturer in History and Theory of Architecture |
| Coordinator, Undergraduate Program in the History and Theory of Architecture, Princeton University | |
| 1986-1988 | Lecturer in History and Theory of Architecture |
| 1980-1986 | Assistant Professor of History and Architecture, Rhode Island School of Design |
| 1986 | Visiting Lecturer in Architecture, Massachusetts Institute of Technology |
| 1986 | Visiting Critic in Architecture, Cornell University |
| 1986 | Visiting Critic in Architecture, University of Miami |
| 1976-1977 | Instructor in Architecture, Georgia Institute of Technology |
| 1992-1995 | Board of Directors and Executive Committee, Society of Architectural Historians |
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| Professional Experience | |
| Registered Architect in the Commonwealth of Massachusetts | |
| 1980-1988 | Consultant in architecture for design firms including: Machado and Silvetti Associates, Inc., Boston; Tippetts, Abbett, McCarthy, Stratton, Boston; Schwartz/Silver Architects, Boston; Koetter Kim and Associates, Boston; Charles Hilgenhurst Associates, Boston; Anthony Ames and Kemp Mooney, Atlanta |
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| Publications | |
| 2009 | Architecture's Desire: Reading the Late Avant-Garde, (Cambridge: MIT Press) |
| 2008 | Buckminster Fuller: Starting with the Universe, with Dana A. Miller (New Haven: Yale University Press) |
| 2003 | Scanning: The Aberrant Architectures of Diller + Scofidio, ed. Aaron Betsky and K. Michael Hays (New York: Whitney Museum of American Art) |
| 2002 | Sanctuaries, the Last Works of John Hejduk (New York: Whitney Museum of Armerican Art, 2002) |
| 1985-2001 | Founder and Editor of Assemblage, A Critical Journal of Architecture and Design Culture, published by the MIT Press |
| 1998 | Architecture Theory since 1968, ed.. Cambridge: MIT Press. |
| Oppositions Reader, ed.. New York: Princeton Architectural Press. | |
| 1996 | Hejduk's Chronotope ed. New York: Princeton Architectural Press. |
| 1994 | Unprecedented Realism: The Architecture of Machado and Silvetti. New York: Princeton Architectural Press. |
| 1992 | Modernism and the Posthumanist Subject. Cambridge: MIT Press. |
| Selected Articles | |
| 2003 | “The Autonomy Effect,” in Bernard Tschumi, ed. Giovanni Damiani (New York: Rizzoli) |
| 2002 | “Foreward,” in Jean Baudrillard and Jean Nouvel, The Singular Objects of Architecture (Minneapolis: University of Minnesota Press). 2nd ed. 2005. |
| 2001 | “The Mies Effect,” in Mies in America, ed. Phyllis Lambert (Montreal: CCA; New York: Whitney Museum of American Art) |
| “Prolegomena Linking the Advanced Architecture of the Present to that of the 1970s through Ideologies of Media, the Experience of Cities in Transition, and the Ongoing Effects of Reification,” Perspecta 32 (MIT Press) | |
| 2000 | “Tafuri’s Ghost,” ANY 25-26 (2000) |
| 1998 | “Not Architecture But Evidence that It Exists,” in Lauretta Vinciarelli Watercolors (Cambridge: Harvard GSD; New York: Princeton Architectural Press) |
| "Autonomy and Architecture," Encyclopedia of Aesthetics, Oxford University Press. | |
| 1997 | "Abstraction's Appearances (in Mies, Adorno, and some others)," Stylos, Amsterdam. |
| "Abstraction's Appearances (Seagram Building)," The Avant-Garde in America. New York: Museum of Modern Art. | |
| 1996 | "Theory After Building," The College of Design, Architecture, Art, and Planning, Peter Eisenman. New York: Monacelli Press. |
| "Hannes Meyer and the Production of Effects," D: Columbia Documents of Architecture and Theory. New York. | |
| 1995 | "Architecture Theory, Media, and the Question of Audience," Assemblage 27. |
| "Whose M Emory?" Peter Eisenman and the Emory Center for the Performing Arts. New York: Rizzoli. | |
| 1994 | "Oddyseus and the Oarsmen, or, Mies's Abstraction, Once Again," The Presence of Mies, ed. Detlif Mertins. New York: Princeton Architectural Press. |
| "Allegory unto Death: an Etiology of Eisenman's Repetition," Cities of Artificial Excavations, exhibition catalogue for the Canadian Center for Architecture. New York: Rizzoli. | |
| 1993 | "Photomontage and Its Audiences: El Lissitzky Meets Berlin Dada," anthologized in The Avant-Garde Frontier: Russia Meets the West, 1910-1930, ed. Gail Harrrison Roman and Virginia Hagelstein Marquardt. Gainesville: Florida University Presses. |
| "Insribing the Subject of Modernism: The Posthumanist Theory of Ludwig Hilberseimer," Strategies of Architectural Thinking, ed. John Whiteman, Jeffrey Kipnis, and Richard Burdett. Cambridge: MIT Press. | |
| "Ready to Travel: A Note of the Work of Roger Diener," The Architecture of Roger Diener, ed. Ulrike Jehle and Martin Steinman. New York: Rizzoli. | |
| "Sobre el pabellón de Alemania de la Biennale de Venecia de 1991 | |
| Heinrich Tessenow, 1876-1950" (On the German Pavillion of the Venice Biennale 1991 Heinrich Tessenow, 1876-1950), Arquitectura 290, Madrid. | |
| 1990 | "Theory as a Mediating Practice," Progressive Architecture, November. |
| "From Structure to Site to Text: on the Work of Peter Eisenman after Canareggio," Thinking the Present, ed. K. Michael Hays and Carol Burns. New York: Princeton Architectural Press. | |
| "The Material Force of the Architectural Imagination," Architecture and Urbanism, Tokyo. | |
| 1988 | "Reproduction and Negation: The Cognitive Project of the Avantgarde," Architecture/Reproduction, ed. Beatriz Colomina and Joan Ockman. New York: Princeton Architectural Press. |
| "Tessenow's Architecture as National Allegory: Critique of Capitalism or Protofascism?" 9H 8; reprinted in Assemblage 8. | |
| "Oggetti, testi e testi-oggeto: sulla recente svolta verso la testualitá," Casabella 549. | |
| "Afterward," exhibition catalogue for Artistspace. New York: Princeton Architectural Press. | |
| 1987 | "Photomontage and its Audiences, Berlin, Circa 1922," Harvard Architecture Review 6. New York: Rizzoli. |
| 1986 | "Theory-Constitutive Conventions and Theory Change," Assemblage 1. |
| 1985 | "Über James Stirling, Wiederholung und Autoschaft," Archithese 6. |
| 1984 | "Critical Architecture: Between Culture and Form," Perspecta 21, The Yale Architectural Journal. Cambridge: MIT Press. |
| 1983 | "Die Frage der repräsentativen Form - Das Portland Building von Michael Graves," Archithese 4. |
| 1982 | "Stirling's Addition to the Fogg Museum," Express, Winter 1. |