Books
Theoretical Anxiety and Design Strategies in
the Work of Eight Contemporary Architects
MIT Press, May 2004
Spanish edition, Actar
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The internationally acclaimed architect Rafael Moneo is known
to be a courageous architect. His major works include the Houston
Museum of Fine Art, Davis Art Museum at Wellesley College, the
Stockholm Museum of Modern Art and Architecture, and the Potzdammer
Platz Hotel in Berlin. Now Moneo will be known as a daring critic
as well. In this book, he looks at eight of his contemporaries--all
architects of international stature--and discusses the theoretical
positions, technical innovations, and design contributions of
each. Moneo's discussion of these eight architects--James Stirling,
Robert Venturi, Aldo Rossi, Peter Eisenman, Álvaro Siza,
Frank Gehry, Rem Koolhaas, and the partnership of Jacques Herzog
and Pierre De Meuron--has the colloquial, engaging tone of a series
of lectures on modern architecture by a master architect; the
reader hears not the dispassionate theorizing of an academic,
but Moneo's own deeply held convictions as he considers the work
of his contemporaries. More than 500 illustrations accompany the
text.
Discussing each of the eight architects in turn, Moneo first
gives an introductory profile, emphasizing intentions, theoretical
concerns, and construction procedures. He then turns to the work,
offering detailed critical analyses of the works he considers
to be crucial for an informed understanding of this architect's
work. The many images he uses to illustrate his points resemble
the rapid-fire flash of slides in a lecture, but Moneo's perspective
is unique among lecturers. These profiles are not what Moneo calls
the "tacit treatises" that can be found on the shelves
of a university library, but lively encounters of architectural
equals.
Contents
|
| Preface |
James Stirling |
| Robert Venturi and Denise Scott Brown |
| Aldo Rossi |
| Peter Eisenman |
| Alvaro Siza |
| Frank O. Gehry |
| Rem Koolhaas |
| Herzog & de Meuron |
Index |
| Photo Credits |
La solitudine degli edifici ed altri scritti
Vol. 2: Sugli architetti e il loro lavoro
Allemande, 2004 Direttore per molti anni della più famosa scuola di architettura
negli Stati Uniti (la Graduate School of Design di Harvard), Rafael
Moneo ha vinto nel 1996 il premio Pritzker per l’architettura.
Appartiene a una generazione di architetti che ha fatto dell’impegno
intellettuale una parte essenziale del proprio lavoro, affiancando
l’insegnamento al progetto, la scrittura alla costruzione.
Moneo non aveva mai raccolto sinora i propri scritti, che vengono
quindi pubblicati per la prima volta insieme, suddivisi in due
volumi. Il primo tomo, ora ristampato, tratta in particolare i
temi della tipologia, dell’insegnamento, delle opere nel
loro rapporto con il tempo e del ruolo della tecnica. Il secondo,
una novità assoluta, discute il metodo di lavoro e le opere
degli architetti contemporanei: da Aldo Rossi a Ieoh Ming Pei,
da Peter Eisenman a Frank Gehry, a Robert Venturi. I testi provengono
in origine da riviste internazionali, miscellanee, atti di convegni,
relazioni e prolusioni di difficile reperibilità e pubblicati
in lingue diverse.
Carme Pinos: An Architecture of Overlay
by Ana Maria Torres, Rafael Moneo, Carme Pinos
Monacelli Press, April 2004
The work of Catalan architect Carmé Pinós is known
for a close relationship with its immediate environment. Her sculptural
forms—sinuous lines and walls, teetering planes, inviting
arches and containers—are derived from a poetic use of materials
and from the history and patterns of human presence on the site.
Pinós architecture of overlay is evident in her design
process; her unique models and drawings are complex compositions
that reinforce the multifaceted quality of her design. This monograph,
the first comprehensive English-language publication of the architect's
work, presents extensive visual documentation of twenty-five built
and unbuilt works from 1991, the year she founded her own firm,
to the present.
Pinós is particularly noted for her large-scale architecture-landscape
projects, including her most significant current project, the
JVC Cultural & Business Center fair area, part of a major
project in Guadalajara, Mexico. Amongst other designs are the
pedestrian bridge, Petrer, Alicante; Dunar Park, Matalascañas,
Huelva; the Juan Aparicio and Punta Prima water-fronts, Torrevieja,
Alicante; and lanscape improvements and recreational center, Caldas
de Reis, Galicia. Pinós also specializes in sports facilities
and schools: sports center and swimming pool, Mont-Sartoux, Côte
d'Azur; soccer stadium, Seville; and high school, Mollerusa, Lérida.
Rafael Moneo: The Freedom of the Architect:
The Raoul Wallenberg Lecture
Brian Carter, editor, Univ of Michigan Architecture, July 2003
In The Freedom of the Architect, Pritzker
Prize-winning architect Rafael Moneo speaks on form, language
and history, broadly, and as represented in examples of his own
work. He elaborates on how architects today have disassociated
their work from the environment, creating autonomous landmarks
with little relationship to their surroundings and how the architect
as individual challenges the role of history in the built environment.
Moneo's reflections on his own work include: The City Hall of
Murcia, Spain, The Museum of Fine Arts Houston, the Kursaal Auditorium
in San Sebastian, Spain, and the acclaimed Our Lady of the Angels
Cathedral in Los Angeles. Spanish born, Madrid-based Moneo's work
unites tradition and innovation. He has developed an extensive
body of work as an architectural critic and theoretician and his
writing has appeared in Oppositions and Lotus. He is a committed
educator, having chaired the Harvard Graduate School of Design
and lectured internationally. Essay by Rafael Moneo.
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Rafael Moneo. Diseñador.
Juli Capella
texts by Rafael Moneo and Juli Capella
Santa & Cole, editors. 2003
Este maestro de la arquitectura contemporánea accede a
mostrar el lado menos conocido, menos estudiado y, quizás,
menos valorado de su actividad profesional. Gracias al empeño
de Juli Capella, los diseños de Moneo se revelan como sujetos
con vida propia, que reivindican el protagonismo que merecen.
El Carmen: Rodriguez-Acosta
Text: Rafael Moneo
Photographs: Francisco Fernández
2001, Fundación Rodríguez-Acosta, Granada
The discovery of an album of photographs in which José María
Rodríguez-Acosta captured for posterity, between 1916 and
1928, the successive phases of the building of his carmen, and the
possibility of collating these images with drawings achived in the
Granada foundation named after him, have inspired me to explore,
once again, an exceptional work of architecture. Aware of the complexity
of the material, I will try to examine the parts played in the building
of the carmen by its architects on one hand, and by the client on
the other, the painter José María Rodríguez-Acosta.
One must consider that he was already a man in his prime when construction
of his studio-house began, and that he had chosen the site after
painstaking reflection. When in 1913 he decided on this rugged terrain,
practically an escarpment between the callejón Niños
des Rollo and the street called Aire Alta, he envisioned a singular
construction that would make his studio a lookout over the city.
Indeed the choice of site was just another deference to the Alhambra,
as the painter deliberately stayed clear of what in those days was
Granada's pride and most coveted, up-market zone, the Grand Vía.
It seconded the initiative taken by the Duke of San Pedro who, keen
on boosting the city's tourist industry, had commissioned the architect
López Otero to build the Hotel Alhambra Palace just a stone's
throw away from where Rodríguez-Acosta would be having his
carmen.
Grand Hyatt Berlin
Rafael Moneo, Hannes Wettstein
photographs by Helene Binet
Birkhaüser Verlag, 2000
Rafael Moneo, the world-famous Spanish architect (born in 1937),
has just completed his hotel building in Berlin's Potsdamer Platz.
The building is a striking combination of Mediterranean flair
and classical austerity enhanced by the Swiss designer, Hannes
Wettstein's attractive interior design and furnishings. An ambitious
art program comprising contemporary works provides the finishing
touches, making the building itself a successful work of art.
Similar to Birkhauser's publications on the building of the Fondation
Beyeler by Renzo Piano, and Zaha Hadid's LF one, this monograph
documents the whole development of the construction of the hotel
using previously unpublished sketches, plans, photographs and
texts.
Cruz/Ortiz
Princeton Architectural Press, 1996
Introductions by Rafael Moneo
Cruz/Ortiz contains a complete chronology of their buildings
and projects and an introduction by Rafael Moneo. The monograph
documents the team's impressive work through numerous photographs
and drawings, accompanied by project descriptions and commentary.
Carlos Jimenez: Buildings
(Architecture at Rice)
Princeton Architectural Press, 1996
This is the first monograph published in the United States on
Carlos Jimenez, whose work has been linked to the new wave of
Spanish architects as well as to Latin American architects such
as Luis Barragán. The book includes an introduction by
Rafael Moneo, an essay by historian Stephen Fox, and a postscript
by Lars Lerup, as well as complete project documentation.
The Solitude of Buildings.
Kenzo Tange Lecture, Harvard University Graduate School of Design,
March 9, 1985.
Reprinted in: A+U, August 1989. Published in German
in the exhibition catalogue Rafael Moneo. Bauen für die
Stadt, Viena, Akademie der Bildenden Künste, April 1993,
in Swedish in the exhibition catalogue "Rafael Moneo. Byggnsader
och Projekt. 1973-1993", Stockholm, October 1993.
Articles by Rafael Moneo
| 2004 |
"Perche´
l'architettura spagnola: cinque domande a Oriol Bohigas, Luis
Mansilla, Josep Lluis Mateo, Rafael Moneo". Casabella
July-Aug., v.68, n.724, p.38-41. |
| 2003 |
"Brief encounter: Rafael
Moneo" [interview]. RIBA journal 2003 Mar.,
v.110, n.3, p.10. |
| |
"Moneo: la Cattedrale
di Nostra Signora degli Angeli [interview]", Francesco
Dal Co. Casabella, June, v.67, n.712, p.68-[87]. |
| 2001 |
"Faculty project: Arenberg
Campus Library, Catholic University of Leuven, Leuven, Belgium".
Harvard design magazine, Summer, n.14, p.92-93. |
| |
"Los zocos de Beirut
= The souks of Beirut", Quaderns d'arquitectura
i urbanisme, n.229, p.130-135. |
| 2000 |
"Rafael Moneo: Audrey
Jones Beck Building [Houston, Texas]". Casabella,
Oct., v.64, n.682, p.22-33. |
| |
"Epifani´a del momento
- Epiphany of moment". AV monografi´as = AV
monographs, Sept-Oct., n.85, p.2-4. |
| |
"Enric Miralles: Barcelona,
1955 - Sant Feliu de Codines", Rafael Moneo, Oscar Tusquets.
Arquitectura viva, May-June, n.72, p.80. |
| 1999 |
"Paradigmas fin de siglo:
las noventa, entre la fragmentacio´n y la compacidad".
Arquitectura viva. May-June, n.66, p.17-24. |
| |
"Wie ein Retabel: das
neue Rathaus in Murcia, Su¨dspanien / Rafael Moneo".
Bauwelt, Apr. 1, v.90, n.13, p.696-701. |
| |
"Per un teoria dell'architettura:
Rafael Moneo e Giorgio Grassi: la solitudine degli edifici".
Casabella, Apr., v.63, n.666, p.30-33. |
| |
"Rafael Moneo: nuovo edificio
minicipale = New municipal building, Murcia 1998" Casabella,
Apr., v.63, n.666, p.20-27. |
| 1998 |
"Architettura, critica,
storia = Architecture, critics, history". Casabella,
Feb., v.62, n.653, p.42-51. |
| |
"Recent architectural
paradigms and a personal alternative", Harvard design
magazine, Summer, p.71-75. |
| 1997 |
"Architettura e globalizzazione
[editorial]". Casabella, Nov., v.61, n.650,
p.[3]. |
| 1996 |
"Juan de Herrera and the
'Discourse of the Cubic Figure,' The Lonja of Seville as Cubic
Element", Eduard Sekler: Form, Modernism, and History,
Harvard Graduate School of Design. |
| |
"Ada¨quates Material:
Centro Kursaal, Kongressaal und Auditorium, San Sebastia´n,
1990-99". Archithese 1996 Nov.-Dec., v.26, n.6,
p.44-48. |
| 1995 |
"Entre opuestos = Between
opposites" AV monografi´as = AV monographs,
May-June, n.53, p. 4-9. |
| |
"Il mestiere dell'architetto".
Architettura intersezioni, v.1, n.1, p.[18]-[27]. |
| |
"Rafael Moneo: Davis Museum,
Wellesley College, Wellesley, Massachusetts 1989-1993".
A + U: architecture and urbanism, Mar., n.294 (3),
p.68-99. |
| |
"La Ricerca come lascito
= The 'Ricerca' as legacy" Casabella, Jan.-Feb.,
v.59, n.619-620, p.132-143 |
| 1994 |
"Bankinter, 1972-1977", Ramón
Bescós, Rafael Moneo. Archivos de Arquitectura,
España Siglo XX, Nº 2, Colegio de Arquitectos
de Almería, 1994. Enrique Granell, editor. |
| |
"Davis Center, Wellesley
College, Massachusetts". Casabella, Apr., v.58,
n.611, p.[50]-55 |
| 1993 |
"'After Modern Architecture':
Ettrados ya en el Último Cuarto de Siglo". (Neoracionalismo.
Neorealismo). Arquitecturas BIS, nº 22, May 1978.
Published in German in the exhibition catalogue Rafael
Moneo. Bauen für die Stadt. Akademie der Bildenden
Künste, Viena, April 1993. |
| |
"Arte acade´mico:
Museo Davis, Wellesley College", Arquitectura viva
1993 Sept-Oct., n.32, p.38-[45]. |
| |
"Geometri´a como
u´nica morada", A & V, Nov.-Dec.,
n.44, p.2-3 |
| |
"De grond van de architectuur
= The foundation of architecture", Archis, July,
n.7, p.56-65 |
| |
"The Pilar and Joan Miró
Foundation" GSD news, Harvard University, Graduate
School of Design, Winter-Spring, p.25 |
| 1992 |
"The Murmur of the Site.
Anywhere Conference, Japan 1992", published in Anywhere,
Rizzoli International, New York, 1992. Published in German
in the catalogue Rafael Moneo. Bauen für die Stadt.
Viena, April 1993, Akademie der Bildenden Künste, in
Swedish in the catalogue Rafael Moneo. Byggnsader och
Projekt. 1973-1993, Stockholm October 1993, in Spanish
in Circo 24, 1995 and in Contra la Indiferencia
como Norma' Instituto Chileño del Cemento y del Hormigón,
July 1995. |
| 1990 |
"Reflecting on Two Concert
Halls: Gehry Versus Venturi". Walter Gropius Lecture,
Graduate School of Design, Harvard University, Cambridge,
Massachusetts, April 25, 1990. Published in English and Spanish
in El Croquis, 64, February 1994. |
| 1989 |
"Unexpected Coincidence".
Essay in Wexner Center for the Visual Arts, Ohio State
University, Rizzoli, New York, 1989. |
| 1984 |
"Tipologia en Arquitectura".
Departamento de Teoria de Arquitectura, Escuela de Arquitectura
de Sevilla, December. |
| 1982 |
"Sobre el Concepto de
Tipo en Arquitectura". Composición II, Escuela
de Arquitectura de Madrid, Departamento Publicaciones
de Alumnos E.T.S.A.M. |
| 1981 |
"Madrid. Analisis del
Desarrollo Urbano de los Últimos Veinticinco Años".
Información Comercial Española (magazine
of the Spanish Ministry of Culture) nº 4.021, February
1967, and in Hogar y Arquitectura, nº 75, March-April
1968, also in AA.VV. Madrid, Cuarenta Años de Desarrollo
Urbano: 1940-1980. Temas Urbanos, Ayuntamiento de Madrid,
1981. |
| 1980 |
"L'Opera di John Hejduk
Ovvero la Passione di Insegnare. L'Architettura Alla Cooper
Union / The Work of John Hejduk or the Passion To Teach. Architectural
Education At Cooper Union". Lotus International,
nº 27, November. |
| 1979 |
"La Vie de Bâtiments.
Extensions de la Mosquée de Cordove". Conference, June
7, 1979, E.P.F. L. Lausanne, Département d'Architecture.
DA Informations, nº 62, 1979 (French and English).
Published in Spanish by the E.T.S.A. Madrid, 1982 and in Arquitectura
nº 256, September-October 1985. |
| 1978 |
"On Typology". Oppositions,
nº 13, 1978. |
| 1976 |
"Aldo Rossi: The Idea
of Architecture and the Modena Cemetery". Oppositions,
nº 5, 1976, and in S.D. (Japanese magazine), March
1978. |
| 1974 |
"La Idea de Arquitectra en
Rossi y el Cementerio de Módena". Monografía
nº 4, E.T.S.A. de Barcelona, 1974. |
| 1965 |
"Notas Sobre la Arquitectura
Griega". Hogar y Arquitectura, nº 59, July-August
1965, supplement. |
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