José Rafael Moneo
Professor
Department of Architecture

 

Publications

 

Books 

Theoretical Anxiety and Design Strategies in the Work of Eight Contemporary Architects
MIT Press, May 2004
Spanish edition, Actar

The internationally acclaimed architect Rafael Moneo is known to be a courageous architect. His major works include the Houston Museum of Fine Art, Davis Art Museum at Wellesley College, the Stockholm Museum of Modern Art and Architecture, and the Potzdammer Platz Hotel in Berlin. Now Moneo will be known as a daring critic as well. In this book, he looks at eight of his contemporaries--all architects of international stature--and discusses the theoretical positions, technical innovations, and design contributions of each. Moneo's discussion of these eight architects--James Stirling, Robert Venturi, Aldo Rossi, Peter Eisenman, Álvaro Siza, Frank Gehry, Rem Koolhaas, and the partnership of Jacques Herzog and Pierre De Meuron--has the colloquial, engaging tone of a series of lectures on modern architecture by a master architect; the reader hears not the dispassionate theorizing of an academic, but Moneo's own deeply held convictions as he considers the work of his contemporaries. More than 500 illustrations accompany the text.

Discussing each of the eight architects in turn, Moneo first gives an introductory profile, emphasizing intentions, theoretical concerns, and construction procedures. He then turns to the work, offering detailed critical analyses of the works he considers to be crucial for an informed understanding of this architect's work. The many images he uses to illustrate his points resemble the rapid-fire flash of slides in a lecture, but Moneo's perspective is unique among lecturers. These profiles are not what Moneo calls the "tacit treatises" that can be found on the shelves of a university library, but lively encounters of architectural equals.

Contents
Preface

James Stirling
Robert Venturi and Denise Scott Brown
Aldo Rossi
Peter Eisenman
Alvaro Siza
Frank O. Gehry
Rem Koolhaas
Herzog & de Meuron

Index
Photo Credits




La solitudine degli edifici ed altri scritti
Vol. 2: Sugli architetti e il loro lavoro
Allemande, 2004

Direttore per molti anni della più famosa scuola di architettura negli Stati Uniti (la Graduate School of Design di Harvard), Rafael Moneo ha vinto nel 1996 il premio Pritzker per l’architettura. Appartiene a una generazione di architetti che ha fatto dell’impegno intellettuale una parte essenziale del proprio lavoro, affiancando l’insegnamento al progetto, la scrittura alla costruzione. Moneo non aveva mai raccolto sinora i propri scritti, che vengono quindi pubblicati per la prima volta insieme, suddivisi in due volumi. Il primo tomo, ora ristampato, tratta in particolare i temi della tipologia, dell’insegnamento, delle opere nel loro rapporto con il tempo e del ruolo della tecnica. Il secondo, una novità assoluta, discute il metodo di lavoro e le opere degli architetti contemporanei: da Aldo Rossi a Ieoh Ming Pei, da Peter Eisenman a Frank Gehry, a Robert Venturi. I testi provengono in origine da riviste internazionali, miscellanee, atti di convegni, relazioni e prolusioni di difficile reperibilità e pubblicati in lingue diverse.




Carme Pinos: An Architecture of Overlay
by Ana Maria Torres, Rafael Moneo, Carme Pinos
Monacelli Press, April 2004

The work of Catalan architect Carmé Pinós is known for a close relationship with its immediate environment. Her sculptural forms—sinuous lines and walls, teetering planes, inviting arches and containers—are derived from a poetic use of materials and from the history and patterns of human presence on the site. Pinós architecture of overlay is evident in her design process; her unique models and drawings are complex compositions that reinforce the multifaceted quality of her design. This monograph, the first comprehensive English-language publication of the architect's work, presents extensive visual documentation of twenty-five built and unbuilt works from 1991, the year she founded her own firm, to the present.

Pinós is particularly noted for her large-scale architecture-landscape projects, including her most significant current project, the JVC Cultural & Business Center fair area, part of a major project in Guadalajara, Mexico. Amongst other designs are the pedestrian bridge, Petrer, Alicante; Dunar Park, Matalascañas, Huelva; the Juan Aparicio and Punta Prima water-fronts, Torrevieja, Alicante; and lanscape improvements and recreational center, Caldas de Reis, Galicia. Pinós also specializes in sports facilities and schools: sports center and swimming pool, Mont-Sartoux, Côte d'Azur; soccer stadium, Seville; and high school, Mollerusa, Lérida.




Rafael Moneo: The Freedom of the Architect: The Raoul Wallenberg Lecture
Brian Carter, editor, Univ of Michigan Architecture, July 2003

In The Freedom of the Architect, Pritzker Prize-winning architect Rafael Moneo speaks on form, language and history, broadly, and as represented in examples of his own work. He elaborates on how architects today have disassociated their work from the environment, creating autonomous landmarks with little relationship to their surroundings and how the architect as individual challenges the role of history in the built environment. Moneo's reflections on his own work include: The City Hall of Murcia, Spain, The Museum of Fine Arts Houston, the Kursaal Auditorium in San Sebastian, Spain, and the acclaimed Our Lady of the Angels Cathedral in Los Angeles. Spanish born, Madrid-based Moneo's work unites tradition and innovation. He has developed an extensive body of work as an architectural critic and theoretician and his writing has appeared in Oppositions and Lotus. He is a committed educator, having chaired the Harvard Graduate School of Design and lectured internationally. Essay by Rafael Moneo.




Rafael Moneo. Diseñador.
Juli Capella
texts by Rafael Moneo and Juli Capella
Santa & Cole, editors. 2003

Este maestro de la arquitectura contemporánea accede a mostrar el lado menos conocido, menos estudiado y, quizás, menos valorado de su actividad profesional. Gracias al empeño de Juli Capella, los diseños de Moneo se revelan como sujetos con vida propia, que reivindican el protagonismo que merecen.





El Carmen: Rodriguez-Acosta
Text: Rafael Moneo
Photographs: Francisco Fernández
2001, Fundación Rodríguez-Acosta, Granada

The discovery of an album of photographs in which José María Rodríguez-Acosta captured for posterity, between 1916 and 1928, the successive phases of the building of his carmen, and the possibility of collating these images with drawings achived in the Granada foundation named after him, have inspired me to explore, once again, an exceptional work of architecture. Aware of the complexity of the material, I will try to examine the parts played in the building of the carmen by its architects on one hand, and by the client on the other, the painter José María Rodríguez-Acosta. One must consider that he was already a man in his prime when construction of his studio-house began, and that he had chosen the site after painstaking reflection. When in 1913 he decided on this rugged terrain, practically an escarpment between the callejón Niños des Rollo and the street called Aire Alta, he envisioned a singular construction that would make his studio a lookout over the city. Indeed the choice of site was just another deference to the Alhambra, as the painter deliberately stayed clear of what in those days was Granada's pride and most coveted, up-market zone, the Grand Vía. It seconded the initiative taken by the Duke of San Pedro who, keen on boosting the city's tourist industry, had commissioned the architect López Otero to build the Hotel Alhambra Palace just a stone's throw away from where Rodríguez-Acosta would be having his carmen.




Grand Hyatt Berlin
Rafael Moneo, Hannes Wettstein
photographs by Helene Binet
Birkhaüser Verlag, 2000

Rafael Moneo, the world-famous Spanish architect (born in 1937), has just completed his hotel building in Berlin's Potsdamer Platz. The building is a striking combination of Mediterranean flair and classical austerity enhanced by the Swiss designer, Hannes Wettstein's attractive interior design and furnishings. An ambitious art program comprising contemporary works provides the finishing touches, making the building itself a successful work of art. Similar to Birkhauser's publications on the building of the Fondation Beyeler by Renzo Piano, and Zaha Hadid's LF one, this monograph documents the whole development of the construction of the hotel using previously unpublished sketches, plans, photographs and texts.





Cruz/Ortiz
Princeton Architectural Press, 1996

Introductions by Rafael Moneo

Cruz/Ortiz contains a complete chronology of their buildings and projects and an introduction by Rafael Moneo. The monograph documents the team's impressive work through numerous photographs and drawings, accompanied by project descriptions and commentary.






Carlos Jimenez: Buildings
(Architecture at Rice)

Princeton Architectural Press, 1996

This is the first monograph published in the United States on Carlos Jimenez, whose work has been linked to the new wave of Spanish architects as well as to Latin American architects such as Luis Barragán. The book includes an introduction by Rafael Moneo, an essay by historian Stephen Fox, and a postscript by Lars Lerup, as well as complete project documentation.






The Solitude of Buildings
.
Kenzo Tange Lecture, Harvard University Graduate School of Design, March 9, 1985.

Reprinted in: A+U, August 1989. Published in German in the exhibition catalogue Rafael Moneo. Bauen für die Stadt, Viena, Akademie der Bildenden Künste, April 1993, in Swedish in the exhibition catalogue "Rafael Moneo. Byggnsader och Projekt. 1973-1993", Stockholm, October 1993. 




Articles by Rafael Moneo

2004 "Perche´ l'architettura spagnola: cinque domande a Oriol Bohigas, Luis Mansilla, Josep Lluis Mateo, Rafael Moneo". Casabella July-Aug., v.68, n.724, p.38-41.
2003 "Brief encounter: Rafael Moneo" [interview]. RIBA journal 2003 Mar., v.110, n.3, p.10.
  "Moneo: la Cattedrale di Nostra Signora degli Angeli [interview]", Francesco Dal Co. Casabella, June, v.67, n.712, p.68-[87].
2001 "Faculty project: Arenberg Campus Library, Catholic University of Leuven, Leuven, Belgium". Harvard design magazine, Summer, n.14, p.92-93.
  "Los zocos de Beirut = The souks of Beirut", Quaderns d'arquitectura i urbanisme, n.229, p.130-135.
2000 "Rafael Moneo: Audrey Jones Beck Building [Houston, Texas]".
Casabella, Oct., v.64, n.682, p.22-33.
  "Epifani´a del momento - Epiphany of moment". AV monografi´as = AV monographs, Sept-Oct., n.85, p.2-4.
  "Enric Miralles: Barcelona, 1955 - Sant Feliu de Codines", Rafael Moneo, Oscar Tusquets. Arquitectura viva, May-June, n.72, p.80.
1999 "Paradigmas fin de siglo: las noventa, entre la fragmentacio´n y la compacidad". Arquitectura viva. May-June, n.66, p.17-24.
  "Wie ein Retabel: das neue Rathaus in Murcia, Su¨dspanien / Rafael Moneo". Bauwelt, Apr. 1, v.90, n.13, p.696-701.
  "Per un teoria dell'architettura: Rafael Moneo e Giorgio Grassi: la solitudine degli edifici". Casabella, Apr., v.63, n.666, p.30-33.
  "Rafael Moneo: nuovo edificio minicipale = New municipal building, Murcia 1998" Casabella, Apr., v.63, n.666, p.20-27.
1998 "Architettura, critica, storia = Architecture, critics, history". Casabella, Feb., v.62, n.653, p.42-51.
  "Recent architectural paradigms and a personal alternative", Harvard design magazine, Summer, p.71-75.
1997 "Architettura e globalizzazione [editorial]". Casabella, Nov., v.61, n.650, p.[3].
1996 "Juan de Herrera and the 'Discourse of the Cubic Figure,' The Lonja of Seville as Cubic Element", Eduard Sekler: Form, Modernism, and History, Harvard Graduate School of Design.
  "Ada¨quates Material: Centro Kursaal, Kongressaal und Auditorium, San Sebastia´n, 1990-99". Archithese 1996 Nov.-Dec., v.26, n.6, p.44-48.
1995 "Entre opuestos = Between opposites" AV monografi´as = AV monographs, May-June, n.53, p. 4-9.
  "Il mestiere dell'architetto". Architettura intersezioni, v.1, n.1, p.[18]-[27].
  "Rafael Moneo: Davis Museum, Wellesley College, Wellesley, Massachusetts 1989-1993". A + U: architecture and urbanism, Mar., n.294 (3), p.68-99.
  "La Ricerca come lascito = The 'Ricerca' as legacy" Casabella, Jan.-Feb., v.59, n.619-620, p.132-143
1994 "Bankinter, 1972-1977", Ramón Bescós, Rafael Moneo. Archivos de Arquitectura, España Siglo XX, Nº 2, Colegio de Arquitectos de Almería, 1994. Enrique Granell, editor. 
  "Davis Center, Wellesley College, Massachusetts". Casabella, Apr., v.58, n.611, p.[50]-55
1993 "'After Modern Architecture': Ettrados ya en el Último Cuarto de Siglo". (Neoracionalismo. Neorealismo). Arquitecturas BIS, nº 22, May 1978. Published in German in the exhibition catalogue Rafael Moneo. Bauen für die Stadt. Akademie der Bildenden Künste, Viena, April 1993.
  "Arte acade´mico: Museo Davis, Wellesley College", Arquitectura viva 1993 Sept-Oct., n.32, p.38-[45].
  "Geometri´a como u´nica morada", A & V, Nov.-Dec., n.44, p.2-3
  "De grond van de architectuur = The foundation of architecture", Archis, July, n.7, p.56-65
  "The Pilar and Joan Miró Foundation" GSD news, Harvard University, Graduate School of Design, Winter-Spring, p.25
1992 "The Murmur of the Site. Anywhere Conference, Japan 1992", published in Anywhere, Rizzoli International, New York, 1992. Published in German in the catalogue Rafael Moneo. Bauen für die Stadt. Viena, April 1993, Akademie der Bildenden Künste, in Swedish in the catalogue Rafael Moneo. Byggnsader och Projekt. 1973-1993, Stockholm October 1993, in Spanish in Circo 24, 1995 and in Contra la Indiferencia como Norma' Instituto Chileño del Cemento y del Hormigón, July 1995.
1990 "Reflecting on Two Concert Halls: Gehry Versus Venturi". Walter Gropius Lecture, Graduate School of Design, Harvard University, Cambridge, Massachusetts, April 25, 1990. Published in English and Spanish in El Croquis, 64, February 1994.
1989 "Unexpected Coincidence". Essay in Wexner Center for the Visual Arts, Ohio State University, Rizzoli, New York, 1989.
1984 "Tipologia en Arquitectura". Departamento de Teoria de Arquitectura, Escuela de Arquitectura de Sevilla, December. 
1982 "Sobre el Concepto de Tipo en Arquitectura". Composición II, Escuela de Arquitectura de Madrid, Departamento Publicaciones de Alumnos E.T.S.A.M.
1981 "Madrid. Analisis del Desarrollo Urbano de los Últimos Veinticinco Años". Información Comercial Española (magazine of the Spanish Ministry of Culture) nº 4.021, February 1967, and in Hogar y Arquitectura, nº 75, March-April 1968, also in AA.VV. Madrid, Cuarenta Años de Desarrollo Urbano: 1940-1980. Temas Urbanos, Ayuntamiento de Madrid, 1981. 
1980 "L'Opera di John Hejduk Ovvero la Passione di Insegnare. L'Architettura Alla Cooper Union / The Work of John Hejduk or the Passion To Teach. Architectural Education At Cooper Union". Lotus International, nº 27, November.
1979 "La Vie de Bâtiments. Extensions de la Mosquée de Cordove". Conference, June 7, 1979, E.P.F. L. Lausanne, Département d'Architecture. DA Informations, nº 62, 1979 (French and English). Published in Spanish by the E.T.S.A. Madrid, 1982 and in Arquitectura nº 256, September-October 1985.
1978 "On Typology". Oppositions, nº 13, 1978.
1976 "Aldo Rossi: The Idea of Architecture and the Modena Cemetery". Oppositions, nº 5, 1976, and in S.D. (Japanese magazine), March 1978.
1974 "La Idea de Arquitectra en Rossi y el Cementerio de Módena". Monografía nº 4, E.T.S.A. de Barcelona, 1974.
1965 "Notas Sobre la Arquitectura Griega". Hogar y Arquitectura, nº 59, July-August 1965, supplement.