Two architects were chosen to share the 2001 Pritzker Architecture Prize, Jacques Herzog and Pierre de Meuron of Basel, Switzerland. The two men, both born in Basel in 1950, have nearly parallel careers, attending the same schools and forming a partnership architectural firm, Herzog & de Meuron in 1978. Perhaps their highest profile project was attained with the completion last year of the conversion of the giant Bankside power plant on the Thames River in London to a new Gallery of Modern Art for the Tate Museum. It has been widely praised by their peers and the media.

In the United States, they have completed a winery in the Napa Valley of California that utilizes a mortarless wall of stones encased in wire mesh, and are currently building the Kramlich Residence and Media Collection in that same region. They have three other projects in work in the United States — the headquarters of Prada in New York, the New de Young Museum in San Francisco which is scheduled for completion in 2004, and the Extension for the Walker Art Center in Minneapolis, scheduled for completion in 2005.

They have projects in England, France, Germany, Italy, Spain and Japan, and of course, in their native Switzerland. There they have built residences, several apartment buildings, libraries, schools, a sports complex, a photographic studio, museums, hotels, railway utility buildings as well as office and factory buildings.

Among their completed buildings, the Ricola cough lozenge factory and storage building in Mulhouse, France stands out for its unique printed translucent walls that provide the work areas with a pleasant filtered light. A railway utility building in Basel, Switzerland called Signal Box has an exterior cladding of copper strips that are twisted at certain places to admit daylight. A library for the Technical University in Eberswalde, Germany has 17 horizontal bands of iconographic images silk screen printed on glass and on concrete. An apartment building on Schützenmattstrasse in Basel has a fully glazed street facade that is covered by a moveable curtain of perforated latticework. It is impossible to list here all of their noteworthy building projects.

While these unusual construction solutions are certainly not the only reason for Herzog and de Meuron being selected as the 2001 Laureates, Pritzker Prize jury chairman, J. Carter Brown, commented, ”One is hard put to think of any architects in history that have addressed the integument of architecture with greater imagination and virtuosity”

In announcing the laureates for 2001, Thomas J. Pritzker, president of The Hyatt Foundation, spoke of the jury's choice, saying, ”Only once before in the history of the prize has the jury seen fit to select two architects in the same year to share the award. That was in 1988. The decision was made then that since it was the tenth anniversary of the prize, we would celebrate two laureates. In this case, the jury felt that these two architects work so closely together that each one complements the abilities and talents of the other. Their work is the result of a long term true collaboration making it impossible to honor one without the other.”

The formal presentation of what has come to be known throughout the world as architecture's highest honor was made at a ceremony on May 7, 2001 at Thomas Jefferson's Monticello in Charlottesville, Virginia. At that time, Herzog and de Meuron were presented with a $100,000 grant and each received a bronze medallion. They are the first Swiss to become Pritzker Laureates, and the 24th and 25th honorees since the prize was established in 1979. The only other year that the jury selected two architects to share the prize was 1988 when the late Gordon Bunshaft of the United States and Oscar Niemeyer of Brazil were chosen. The selection of Herzog and de Meuron continues what has become a nine-year trend of laureates from the international community. In fact, architects from other countries chosen for the prize, now far outnumber the U.S. recipients, eighteen to seven. 
Bill Lacy, who is an architect and president of the State University of New York at Purchase, spoke as the executive director of the Pritzker Prize, quoting from the jury citation which states, ”The architecture of Jacques Herzog and Pierre de Meuron combines the artistry of an age-old profession with the fresh approach of a new century’s technical capabilities. Both architects' roots in European tradition are combined with current technology in extraordinarily inventive architectural solutions to their clients' needs.”

Ada Louise Huxtable, architecture critic and member of the juror, commented further about Herzog and de Meuron, ”They refine the traditions of modernism to elemental simplicity, while transforming materials and surfaces through the exploration of new treatments and techniques.”

Another juror, Carlos Jimenez from Houston who is professor of architecture at Rice University, said, ”One of the most compelling aspects of work by Herzog and de Meuron is their capacity to astonish.”

And from juror Jorge Silvetti, who chairs the Department of Architecture, Graduate School of Design at Harvard University, ”...all of their work maintains throughout, the stable qualities that have always been associated with the best Swiss architecture: conceptual precision, formal clarity, economy of means and pristine detailing and craftsmanship.”

The purpose of the Pritzker Architecture Prize is to honor annually a living architect (or architects) whose built work demonstrates a combination of those qualities of talent, vision and commitment, which has produced consistent and significant contributions to humanity and the built environment through the art of architecture.

The distinguished jury that selected Herzog and de Meuron as the 2001 Laureates consists of its founding chairman, J. Carter Brown, director emeritus of the National Gallery of Art, and chairman of the U.S. Commission of Fine Arts; and alphabetically: Giovanni Agnelli, chairman emeritus of Fiat from Torino, Italy; Ada Louise Huxtable, author and architectural critic of New York; Carlos Jimenez, Professor at Rice University School of Architecture, and Principal, Carlos Jimenez Studio Houston, Texas; Jorge Silvetti, chairman, department of architecture, Harvard University Graduate School of Design; and Lord Rothschild, former chairman of the National Heritage Memorial Fund of Great Britain and formerly the chairman of that country's National Gallery of Art.

The prize presentation ceremony moves to different locations around the world each year, paying homage to historic and contemporary architecture. As already mentioned, this year's ceremony was held in Thomas Jefferson's home, Monticello in Charlottesville, Virginia. Jefferson, although best known as the author of the Declaration of Independence, was also an accomplished architect, designing Monticello, which was his home. Last year the ceremony was held in Jerusalem in the Archaeological Park surrounding the Dome of the Rock.

Philip Johnson was the first Pritzker Laureate in 1979. The late Luis Barragan of Mexico was named in 1980. The late James Stirling of Great Britain was elected in 1981, Kevin Roche in 1982, Ieoh Ming Pei in 1983, and Richard Meier in 1984. Hans Hollein of Austria was the 1985 Laureate. Gottfried Boehm of Germany received the prize in 1986. Kenzo Tange was the first Japanese architect to receive the prize in 1987; Fumihiko Maki was the second from Japan in 1993; and Tadao Ando the third in 1995. Robert Venturi received the honor in 1991, and Alvaro Siza of Portugal in 1992. Christian de Portzamparc of France was elected Pritzker Laureate in 1994. The late Gordon Bunshaft of the United States and Oscar Niemeyer of Brazil, were named in 1988. Frank Gehry was the recipient in 1989, the late Aldo Rossi of Italy in 1990. In 1996, Rafael Moneo of Spain was the Laureate; in 1997 Sverre Fehn of Norway; in 1998 Renzo Piano of Italy, in 1999 Sir Norman Foster of the UK, and last year, Rem Koolhaas of the Netherlands.

The field of architecture was chosen by the Pritzker family because of their keen interest in building due to their involvement with developing the Hyatt Hotels around the world; also because architecture was a creative endeavor not included in the Nobel Prizes. The procedures were modeled after the Nobels, with the final selection being made by the international jury with all deliberations and voting in secret. Nominations are continuous from year to year with over 500 nominees from more than 40 countries being considered each year.

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