April 2000
 

As a journal and as a group project, Assemblage never promoted a singular position. Rather, it provided a registration plane for a discourse in the process of finding its legs, developing its skills, suffering its growing pains.  Among the primary interpretive trajectories that Assemblage mirtired early on, one, the deconstructive discourse, tended to avoid propositions altogether and another, the Marxian critique, was determined to remain absolutely negative. Committed as we were, however, to the exposition of new forms of practice and new ways of practicing forms and space, to the couplings and transcodings and the blurring of boundaries that gave the journal its name in the first place, to refuse to affirm a position, a single, static stance, seemed right.  Indeed, the historicity of our endavor seemed to demand that we occupy several positions, even contradictory ones, simultaneously.

What, we now ask, are the issues left out of the theory of the Assemblage "generation" -- biography as part of a materialist interpretation; the possibility of a "postcritical' practice, or in other words, of an intervention in consumer culture based on something other than criticism and resistance; a langauge of physical appetites as well as formal operations? What are the issues emerging today -- technology, obviously, but there are others: theory's pedagogical role, now that it finds itself comfortably within the bounds of academic respectability; the writing of history after theory's assimilation; the specificity of architecture theory versus theory of cultural generally? What are the possible new formats, other than journals, for the exposition and dissemination of theory (yes, the web, of course, but how much architecture theory have you seen on the web?); and what are the possible modes for theory other than drawing and writing?

For the final issue of the journal, we would like to enlist you -- as one among nearly a hundred  of the scholars and designers who have contributed to Assemblage over the past decade and a half -- to reflect on your practice, to situate it within current theoretical positions, and to speculate about future ones. We are less interested in a retrospective glance over the Assemblage years than a projective assessment of the present moment.  We look forward to the collective response to our final inquiry, forty-one issues after we first begin asking questions.

--  Michael Hays, Alica Kennedy


 
 
Contents
 6 K. Michael Hays and Alicia Kennedy 35 Lauren Kogod 63 Alessandra Ponte
 8 Stan Allen 36  Juliet Koss 64  Mark Rakatansky
 9 Stanford Anderson 37  Laura Kurgan 65  Jesse Reiser and Nanako Umemoto
10  Asymptote 38  Lab Architecture Studio
      / Donald L. Bates
66  Dagmar Richter
11  George Baird 39  Nana Last 67  Mark Robbins
12  Ann Bergren 40  Sylvia Lavin 68  Joseph Rosa
13  John Biln 41  Pamela M. Lee 69  Martha Rosler
14  Jennifer Bloomer and Robert Segrest 42  Paula Lee 70  Linda Roy
15  M. Christine Boyer 43  Hélène Lipstadt 71  Mitchell Schwarzer
16  M. Christine Boyer 44  Mark Lindler 72  Mack Scogin and Merrill Elam
17  Zeynep Çelik 45  Hélène Lipstadt 73  Felicity D. Scott
18  Preston Scott Cohen and Robert Levit 46  LIQUID incorporated 74  Nasrine Seraji-Bozorgzad
19  Beatriz Colomina 47  Greg Lynn 75  Adi Shamir Zion
20  Julia Czerniak 48  John Macarthur 76  Smith-Miller + Hawkinson Architects
21  Farés el-Dahdak 49  Reinhold Martin 77  Michael Sorkin
22  Peggy Deamer 50  Robert McAnulty 78  Michael Speaks
23  Martine De Maeseneer 51  Mary McLeod 79  George Teyssot
24  Rosalyn Deutsche 52  Detlef Mertins 80  Bernard Tschumi
25  Diller + Scofidio 53  Enric Miralles 81  Henry Urbach
26  Edward Eigen 54  Ed Mitchell 82  Val K. Warke
27  Rodolphe el-Khoury 55  Rafael Moneo 83  Mark Wigley
28  Marco Frascari 56  Daniel Bertrand Monk 84  Mabel O. Wilson and Paul D. Kariouk
29  Douglas Garofalo 57  MVRDV 85  Ron Witte
30  James D. Herbert 58  Gülsüm Baydar Nalbantoglu 86  Krzysztof Wodiczko
31  Andrew Herscher 59  Juan Navarro Baldeweg 88  Sarah Whiting re: view
32  Jeffrey Inaba 60  Ben Nicholson 90  Peter Eisenman re: view
33  Catherine Ingraham 61  Joan Ockman 92  R. E. Somol re: view
34  Mark Jarzombek 62  Werner Oechslin 94  Contributors
 

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