Reflective Nostalgia: Alternative Futures for Shanghai’s Shikumen Heritage
Lyndon Neri, Rossana Hu
Nostalgia tends to be taken dismissively or negatively in both architecture and general culture, as…
Archive
A Typology of Knowledges
Eric Lapierre
This studio will reconsider the types and spaces of institutions that are dedicated to the…
Cross Rhythm (New House in New Orleans)
Go Hasegawa
We can find many beautiful residential typologies in New Orleans, like the creole townhouse, shotgun…
Groundless
Andrew Zago
Disciplinary interests in architecture are both in flux and viewed by many as disengaged from…
Laboratory School, Stacking, Pragmatism, …
Hilary Sample
This architecture studio will be composed of three distinct and interrelated parts in working toward…
An American Section
Kersten Geers, David Van Severen
This is the second studio of American Architecture. Our aim is to investigate the simple…
Type vs. Difference: The Function of a 21st-century Residential Block
Farshid Moussavi
The studio is concerned with the politics of architecture and its agency in everyday life.
Adapting Miami – Housing on the Transect
Eric Howeler, Corey Zehngebot
Miami is on the front lines of climate change. Its famous beaches and waterfront condominiums…
Habitat Kashgar
Zhang Ke
Habitat is arguably the most primitive and, at the same time, most futuristic subject for…
Post-Shaker
Preston Scott Cohen
Historic preservation breaks down into two categories. The first are projects that involve complete reconstruction…
Pagination Links
- Go to page 1
- Go to page 2
- Go to page 3
- Go to page 4
- Go to page 5
- Go to page 6
- Go to page 7
- Go to page 8
- Page 9
- Go to page 10
- Go to page 11
- Go to page 12
- Go to page 13
- Go to page 14
- Go to page 15
- Go to page 16
- Go to page 17
- Go to page 18
- Go to page 19
- Go to page 20
- Go to page 21
- Go to page 22
- Go to page 23
- Go to page 24
- Go to page 25
- Go to page 26
- Go to page 27
- Go to page 28
- Go to page 29
- Go to page 30
- Go to page 31
- Go to page 32
- Go to page 33
- Go to page 34
- Go to page 35
- Go to page 36
- Go to page 37
- Go to page 38
- Go to page 39
- Go to page 40
- Go to page 41
- Go to page 42
- Go to page 43
- Go to page 44
- Go to page 45
- Go to page 46
- Go to page 47
- Go to page 48
- Go to page 49
- Go to page 50
- Go to page 51
- Go to page 52
- Go to page 53
- Go to page 54
- Go to page 55
- Go to page 56
- Go to page 57
- Go to page 58
- Go to page 59
- Go to page 60
- Go to page 61
- Go to page 62
- Go to page 63
- Go to page 64
- Go to page 65
- Go to page 66
- Go to page 67
- Go to page 68
- Go to page 69
- Go to page 70
- Go to page 71
- Go to page 72
- Go to page 73
- Go to page 74
- Go to page 75
- Go to page 76
- Go to page 77
- Go to page 78
- Go to page 79
- Go to page 80
- Go to page 81
- Go to page 82