Anita Berrizbeitia is Professor of Landscape Architecture and Chair of the Department of Landscape Architecture. Her research focuses on design theories of modern and contemporary landscape architecture, the productive aspects of landscapes, and Latin American cities and landscapes. She was awarded the 2005/2006 Prince Charitable Trusts Rome Prize Fellowship in Landscape Architecture. A native of Caracas, Venezuela, she studied architecture at the Universidad Simon Bolivar before receiving a BA from Wellesley College and an MLA from the GSD.
Berrizbeitia has taught design theory and studio, most recently at the University of Pennsylvania School of Design, where she was Associate Chair of the Department of Landscape Architecture. Her studios investigate innovative approaches to the conceptualization of public space, especially on sites where urbanism, globalization, and local cultural conditions intersect. She also leads seminars that focus on significant transformations in landscape discourse over the last three decades. From 1987 to 1993, she practiced with Child Associates, Inc., in Boston, where she collaborated on many award-winning projects.
She is co-author, with Linda Pollak, of Inside/Outside: Between Architecture and Landscape (Rockport, 1999), which won an ASLA Merit Award; author of Roberto Burle Marx in Caracas: Parque del Este, 1956-1961 (University of Pennsylvania Press, 2004), awarded the J.B. Jackson Book Prize in 2007 from the Foundation for Landscape Studies; and editor of Michael Van Valkenburgh Associates: Reconstructing Urban Landscapes (Yale University Press, 2009), which received an ASLA Honor Award. Her essays have been published in Daniel Urban Kiley: The Early Gardens (Princeton Architectural Press), Recovering Landscape (Princeton Architectural Press), Roberto Burle Marx: Landscapes Reflected (Princeton Architectural Press), CASE: Downsview Park Toronto (Prestel), Large Parks (Princeton Architectural Press), Retorno al Paisaje (Evren), and Hargreaves Associates: Landscape Alchemy (ORO Publishers), as well as in magazines such as A+U.