While GSD students in Cambridge were enduring record snowfall, Josep Lluís Sert Council members were in sunny California touring the work of Eric Owen Moss MArch '72. On February 24th, a group of nearly twenty alumni and friends gathered at the studio of Eric Owen Moss Architects (EOMA) in Culver City for a first-hand look at Moss’s work and vision.
Riki Nishimura MAUD '03 realized that he had a curiousity about cities at a very young age. He travelled extensively as a child as a result of his family's work, and from the windows of airplanes he looked out over landscapes to imagined cities of his own design.
As part of the lecture "Expeditions in the Contemporary City," Gang focused on the post-industrial city, tall buildings, and a new definition of technology.
From a pool of 120 participating teams, two Harvard University Graduate School of Design teams made to the final four in the Urban Land Institute (ULI) Hines Competition of 2015.
Neal Morris's (LF '10) office sits squarely in the middle of a historically African American neighborhood and shopping district undergoing an urban renaissance in New Orleans. So he was perfectly situated to get himself drawn into the middle of a project that nods to an important moment in musical history by securing the future of orchestral jazz culture in the city. He tells the story in the LOEBlog.
In conjunction with their recent acquisition of the Ábalos & Herreros archive, the Canadian Centre for Architecture in Montreal has mounted "Out of the Box: Ábalos & Herreros," curated by OFFICE Kersten Geers David Van Severen.
The Wall Street Journal recently noted that Toshiko Mori's latest project, Thread, "looks like a giant woven sheet, billowing in the breeze of the Senegalese savanna."
Michael Graves, one of the most important American architects of the 20th century, died yesterday at the age of 80. Graves, known for his postmodern design and commitment to designing for health, was a member of the Harvard University Graduate School of Design's class of '59.
In his Abitare review of lecturer Luis Callejas's "small but striking exhibition" in Medellín, "Excursiones," Fabrizio Gallanti notes that Callejas's "recent rise has been meteoric."
In "Making Print Matter," Harvard Gazette staff writer Cory Ireland notes that Harvard Design Magazine—whose 39th issue, "Wet Matter," was launched at the Harvard University Graduate School of Design last week—"fervently embraces the thingness of print."