Erika Naginski is Director of Doctoral Programs and Robert P. Hubbard Professor of Architectural History. Her research interests include Baroque and Enlightenment architecture, early modern aesthetic philosophy, theories of public space, and the critical traditions of architectural history. In addition to teaching modules in the Building Texts Contexts sequence, she offers seminars and lecture courses in architectural history and theory including The Shapes of Utopia, The Piranesi Effect, Versailles to the Visionaries and The Ruin Aesthetic: Episodes in the History of Architectural Idea.
Naginskis books and edited volumes include Sculpture and Enlightenment (2009), which traces the transformation of public art and architecture in an age of secular rationalism and revolutionary politics; Polemical Objects (2004), a special issue of Res co-edited with Stephen Melville, which explores the philosophy of medium in Hegel, Heidegger and others; and Writing on Drawing (2000) for the journal Representations, with essays addressing the collision of semiotics and mimesis in drawing practices as they emerge in art, architecture and science. In 2007, Naginski was awarded a John Simon Guggenheim Memorial Foundation Fellowship for her current book project on the intersections of architecture, archaeology and the conception of history in the eighteenth century.
Before joining the GSD faculty, Naginski taught in the architecture department at MIT and in the art history department at the University of Michigan. She has been a junior fellow at the Society of Fellows at Harvard University as well as a research fellow at the Radcliffe Institute for Advanced Study, the Sterling and Francine Clark Art Institute, and the Deutsches Forum fr Kunstgeschichte. She serves on the editorial board of Res.
Jorge Silvetti and Erika Naginski, Instructors
By Erika Naginski