Repetition and Culture
Peter St. John, Adam Caruso
Contemporary architecture is preoccupied with being interesting. What is interesting today can soon become tiresome.
Archive
Brooklyn Botanic Garden Educational Center
Stephen Cassell, Adam Yarinsky
This studio will explore architecture\'s role in support of a public institution. An institution\'s goals…
Border Station: San Ysidro, California
Michael Maltzan
Just north of the line dividing the United States and Mexico, the US government is…
Beijing: Urbanism
Yung Ho Chang
After Marco Polo finishes his stories about Venice, Kublai Khan, in return, offers his version…
A Field of Schools: Rethinking the Relationship Between School and City in San Diego
A. Hashim Sarkis
SummaryThe studio revises the predominant models of school design in the United States by addressing…
Alimentary Design: The Final Course
Shohei Shigematsu, Christine Cheng
This year, the Alimentary Design studio will address the more tacit and palpable relationship that…
Alimentary Design
Shohei Shigematsu, Christine Cheng
If you are what you eat, this studio will investigate how and what we eat…
workplan
Florian Idenburg
workspheres The office is no more. We work anywhere, anytime. We don’t have professions…
Fun Palace II
Thomas Leeser
Cedric Price spent most of his career designing, promoting and building his most famous work…
End(eavors) Game
Wes Jones
When the \”age of the world picture\” gave way to the \”first machine age,\” architecture…
Pagination Links
- Go to page 1
- Go to page 2
- Go to page 3
- Go to page 4
- Go to page 5
- Go to page 6
- Go to page 7
- Go to page 8
- Go to page 9
- Go to page 10
- Go to page 11
- Go to page 12
- Go to page 13
- Go to page 14
- Go to page 15
- Go to page 16
- Go to page 17
- Go to page 18
- Go to page 19
- Go to page 20
- Go to page 21
- Go to page 22
- Go to page 23
- Go to page 24
- Go to page 25
- Go to page 26
- Go to page 27
- Go to page 28
- Go to page 29
- Go to page 30
- Go to page 31
- Go to page 32
- Go to page 33
- Go to page 34
- Go to page 35
- Go to page 36
- Go to page 37
- Go to page 38
- Go to page 39
- Go to page 40
- Go to page 41
- Go to page 42
- Go to page 43
- Go to page 44
- Go to page 45
- Go to page 46
- Go to page 47
- Go to page 48
- Go to page 49
- Go to page 50
- Go to page 51
- Go to page 52
- Go to page 53
- Go to page 54
- Go to page 55
- Go to page 56
- Go to page 57
- Go to page 58
- Go to page 59
- Go to page 60
- Go to page 61
- Go to page 62
- Go to page 63
- Go to page 64
- Go to page 65
- Go to page 66
- Go to page 67
- Go to page 68
- Go to page 69
- Go to page 70
- Go to page 71
- Go to page 72
- Go to page 73
- Go to page 74
- Page 75
- Go to page 76
- Go to page 77
- Go to page 78
- Go to page 79
- Go to page 80
- Go to page 81
- Go to page 82