The Architectural Double in the Museum City
Sharon Johnston, Mark Lee
The studio will examine the notions of the Museum City and the Architectural Double through…
Archive
Architects’ Club : Clerkwell : London
Peter Cook
As London has the world’s highest number of international working graduates in the field of…
Unfinished Work III
Ben van Berkel
This third installation of ‘Unfinished Work’ will broaden the research and design interests developed in…
Transforming Melnea Cass Boulevard: Architecture, Transport and Regeneration in Central Boston
Nathalie de Vries
People have growing awareness about how they want to organise the environments in which they…
Landscape Wooden (Hill and Water) House
Wenyu Lu, Shu Wang
Landscape Wooden (Hill and Water) House+++A Natural Form of Architectural Narration and ConstructionIn ancient Chinese…
Global Redesign Project 2. Resonance: Virtual and Real: Design of a Performing Arts Center
Toshiko Mori
GLOBAL REDESIGN PROJECT 2: RESONANCE: VIRTUAL AND REAL: DESIGN OF A PERFORMANCE ART CENTER SYLLABUS…
Toward an Industrial Ecology for New Caofeidian
Nanako Umemoto
AN INDUSTRIAL ECOLOGY FOR NEW CAOFEIDIAN Professor: Nanako Umemoto nanako@reiser-umemoto.com Teaching Associate: Neil Cook…
Crossing: Border Station Studio
Julie Snow
Crossing: Border Station Studio The US General Services Administration has a mandate to accelerate the…
SOFT SPACE: AGILE INVOLUTION Sustainable Strategies for Textile Architecture
Sheila Kennedy
This interdisciplinary option studio will explore the integration of flexible solar nano-materials with lightweight textile…
Before Motown – After Techno: Designing for the Detroit Musical Continuum
Maurice Cox
Detroit has attitude, energy and grit – all qualities that allowed it to create sounds…
Pagination Links
- Go to page 1
- Go to page 2
- Go to page 3
- Go to page 4
- Go to page 5
- Go to page 6
- Go to page 7
- Go to page 8
- Go to page 9
- Go to page 10
- Go to page 11
- Go to page 12
- Go to page 13
- Go to page 14
- Go to page 15
- Go to page 16
- Go to page 17
- Go to page 18
- Go to page 19
- Go to page 20
- Go to page 21
- Go to page 22
- Go to page 23
- Go to page 24
- Go to page 25
- Go to page 26
- Go to page 27
- Go to page 28
- Go to page 29
- Go to page 30
- Go to page 31
- Go to page 32
- Go to page 33
- Go to page 34
- Go to page 35
- Go to page 36
- Go to page 37
- Go to page 38
- Go to page 39
- Go to page 40
- Go to page 41
- Go to page 42
- Go to page 43
- Go to page 44
- Go to page 45
- Go to page 46
- Go to page 47
- Go to page 48
- Go to page 49
- Go to page 50
- Go to page 51
- Go to page 52
- Go to page 53
- Go to page 54
- Go to page 55
- Go to page 56
- Go to page 57
- Go to page 58
- Go to page 59
- Go to page 60
- Go to page 61
- Go to page 62
- Go to page 63
- Go to page 64
- Go to page 65
- Go to page 66
- Go to page 67
- Go to page 68
- Go to page 69
- Go to page 70
- Go to page 71
- Go to page 72
- Go to page 73
- Go to page 74
- Go to page 75
- Go to page 76
- Page 77
- Go to page 78
- Go to page 79
- Go to page 80
- Go to page 81
- Go to page 82