What can the utopian communities of the 60s teach today’s designers about co-living?
Wind blows hard over the bluff as huge waves roll in from the horizon, crashing…
Features
Work in Progress: Siyu Liu’s Penn Station
Siyu Liu (MLA ’19) describes her final project for the option studio “Now Arriving:…
Assemblage, San Rocco and the shifting value of architecture discourse
“Books and Looks” is a series of discussions at Harvard’s Graduate School of Design about…
New logo a “gesture toward visibility” for New York’s hundreds of privately owned public spaces
Whether unavoidable or hidden, so-called privately owned public spaces (or POPS) dot the nation’s cities…
“We were never considered fully human, so why should we care about this crisis?” Rosi Braidotti on collective positivity in the face of human extinction
We do not have time for entrenched antagonisms or building communities that bask in apocalyptic…
Work in Progress: Miriam Alexandroff’s climate collective for a future Framingham, MA
Miriam Alexandroff (MArch ’19) describes her final project for the option studio “UTOPIA/DYSTOPIA: Living…
2018 Rouse Visiting Artist Hannah Beachler on her history-making Oscar nomination
Of the seven Oscar nominations that Marvel Studios’ blockbuster Black Panther received this year, two are…
Design course opens students’ eyes to “plant blindness”
Just beyond the old iron gates of the Arnold Arboretum of Harvard University, a creative…
Work in Progress: Amirah Ndam Njoya’s vision for a new neighborhood in Allston
Amirah Ndam Njoya (MUP ’19) describes her final project for the option studio “A…
Artist David Hartt on the relationship between ideology and the built environment
Montreal-born artist David Hartt uses the built environment as a tool for…
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