Kengo Kuma Urges a Return to Nature
Kengo Kuma & Associates, National Stadium, Tokyo, Japan, 2019. The wood planks are the same…
Features
Paperwork: An Interview with Karel Martens and the Martens and Martens Studio
A pair of colorful calendars appeared around Gund Hall during the 2024–2025 academic year to…
Rest Stops at the Top of the World
For the last 30 years, motorists in Norway have driven winding roads into…
The Final Experience is Beyond Our Control: An-My Lê Speaks About Landscape, Photography, and the Construction of Memory
This month marks the fiftieth anniversary of the fall of Saigon, a time…
Jeremy Ficca on Biogenic Materials: Where High Tech and Low Tech Meet
Students in the “Material Embodiment” studio, taught by Jeremy Ficca, fabricating hempcrete blocks.*…
The Plural Forms of African Landscape Architecture
“Landscape is a way of beholding that is inclusive of nature and culture, of people…
Igniting Radical Imagination: Deanna Van Buren on the Role of Design in Abolition and Restorative Justice
“Think about someone who harmed you deeply. What would it take for you…
Peter Chermayeff on Taking Risks and Embracing Collaboration
Cambridge Seven Associates and Buckminster Fuller, US Pavilion at Expo ’67, Montreal. Photo: Guilhermeduartegarcia,…
Craig Douglas Visualizes the Invisible, Designing with Air
In an exhibition at the Frances Loeb Library, Craig Douglas, assistant professor of…
When the Client is a Nation: Eric Henson’s GSD Students Collaborate with Indigenous Tribes
Inside the Peabody Museum on a windy October day, leaders of the…