A team made up of GSD students, a Loeb Fellow and a HU student is using geotechnology to connect audiences with the music, visual art and theatre in urban public spaces. Their vision excited the jury of the inaugural Deans’ Cultural Entrepreneurship Challenge, who awarded first prize to the Musey project.
Recent GSD graduate Irene Toselli (MLA ’12) will fly to Ferrara, Italy in June to participate in an award ceremony which will honor her 2012 thesis with the silver medal prize for sustainable architecture.
Stoss Landscape Urbanism, founded by Chris Reed (adjunct associate professor of landscape architecture) recently unveiled their latest project at Harvard, the Science Center Plaza.
Karen Lee Bar-Sinai (LF 2013) and her design partner Yehuda Greenfield-Gilat, of Jerusalem-based SAYA studio, are profiled in a recent blog post for the New Yorker.
Florian Idenburg’s (adjunct associate professor of architecture) firm SO – IL has won the UC Davis competition for its new Museum of Art after a year of accolades culminating in the Architectural League of N.Y.'s “Emerging Voices” award.
Stoss Landscape Urbanism, the firm co-led by Chris Reed (adjunct associate professor of landscape architecture), has taken a slew of recent honors, including the Syracuse competition for Movement on Main and two 2013 Boston Society of Landscape Architecture Awards.
On 5/9 at 6:30 p.m., the Van Alen Institute in N.Y. will present a lecture by Peter Rowe (professor of architecture and urban design) and conversation with John Hong (adjunct associate professor of architecture and MArch ‘96) and Jinhee Park (design critic in architecture and MArch '02) as part of the exhibit Deconstruction/Construction: The Cheonggyecheon River Project in Seoul.
Six former chairs of architecture at the Harvard Graduate School of Design gathered on Tuesday to honor Preston Scott Cohen, the outgoing chair of the department.
Antoine Picon’s recent book Ornament: The Politics of Architecture and Subjectivity highlights the return of ornament in contemporary architecture and argues the subjective and political implications of ornament throughout history.
