Courses
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Immersive Environments II
This seminar is part two of GSD 2319 / Immersive Environments – an advanced digital media seminar focusing on the design and representation of integrated…
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Immersive Environments II
This seminar is part two of GSD 2319 / Immersive Environments – an advanced digital media seminar focusing on the design and representation of integrated…
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Immersive Environments II
This is an advanced seminar exploring the spatial temporal qualities of the built environment through the disciplines of still and moving image. This seminar…
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Immersive Environments II
This is an advanced seminar exploring the spatial temporal qualities of the built environment through the disciplines of still and moving image. This seminar will…
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Projected Thinking: Representation in 2 and 3D
This workshop will be in three phases, each combining lecture presentations with hands-on studio work. The first phase will explore the effective use of cinematic…
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Introduction to Graphic Design
Introduction to Graphic Design is an intensive twelve week course that formats lectures and studio classes to engage students in the practical applications of graphic…
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InOrganic Assemblies
Computing allows to generate complexity extremely fast. Scripted protocols can now produce with a very limited number of lines of code complex systems such as…
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Painting and Paint; Studio Practice with Oil
The premise of this workshop is to establish a relationship, in oil painting, between individual experience by perception and the language(s) of representation and color.
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Painting and Paint – Studio Practice; with oil
The premise of this workshop is to establish a relationship, in oil painting, between individual experience by perception and the language(s) of abstraction and representation.
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Drawing from Masters
\’It takes two artists to make a drawing, even if one of them is dead.\’AnonymousThis course will introduce the student of drawing to the master…
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Drawing from Masters
FIELD PAINTINGThis seminar/workshop will introduce the practice of plein air painting to the architect. The issues of color and spatial invention through the medium of…
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The Marathon Drawing Studio
FIELD PAINTINGThis seminar/workshop will introduce the practice of plein air painting to the architect. The issues of color and spatial invention through the medium of…
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Drawing from Masters
It takes two artists to make a drawing, even if one of them is dead. — Anonymous\”The artist accustomed to copying the best from the…
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Urban Infoscapes
An increasing amount of information is available to urban designers and planners. Remote sensing and aerial photography have the potential to relay continuous and real…
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Preservation Media Project: The Hatch Cottage
Christopher Hoxie, Mark Mulligan
In 1960 John Hall, a self-taught architect, designed and built a modest yet innovative summer cottage for Robert Hatch, a magazine editor, and his wife…
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Conic and Developable Surfaces
In terms of Differential Geometry, developable surfaces are defined as those with vanishing Gaussian curvature which can be unrolled to a plane without distortion.
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Conic and Developable Surfaces
In terms of Differential Geometry, developable surfaces are defined as those with vanishing Gaussian curvature which can be unrolled to a plane without distortion.
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Conic and Developable Surfaces
In terms of Differential Geometry, developable surfaces are defined as those with vanishing Gaussian curvature which can be unrolled to a plane without distortion.
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Critical Perspectives
This is an intermediate course in drawing, open to landscape, urban design, and architecture students (also MDes). The initial intent of the class is to…
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Critical Perspectives: Perspectival Representation in the Process of Landscape Architecture Design
This seminar/workshop aims critically to explore the role perspective projection may play in the generation of landscape space. Despite the manifold criticisms levied against the…
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M[ont]agic Operations in Landscape Spatiality
M[ont]agic Operations in Landscape SpatialityContemporary philosophical, design and cultural criticism recognize the phenomenon of \”montage\” as a visual discourse particularly analogous to the disjunctive and…
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M[ont]agic Operations in Landscape Spatiality
M[ont]agic Operations in Landscape SpatialityContemporary philosophical, design and cultural criticism recognize the phenomenon of \”montage\” as a visual discourse particularly analogous to the disjunctive and…
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M[ont]agic Operations in Landscape Spatiality
Contemporary philosophical, design and cultural criticism recognize the phenomenon of \”montage\” as a visual discourse particularly analogous to the disjunctive and heterogeneous relational qualities of…
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iTimeLightSpace: Architecture/Landscape Animation/Invention
T. Kelly Wilson, Stephen Ervin
iTimeLightSpace: Architecture/Landscape Animation/InventionCritics: Adjunct Associate Prof. T. Kelly Wilson Director of Digital Resources, Stephen ErvinThis cross disciplinary seminar, which will meet once a week, will…
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Visualizing Landscape Dynamics / Dynamic Landscapes
Landscape modeling requires techniques for representing and manipulating essential landscape elements – landform, vegetation, water, infrastructure, animals, and atmosphere – and also landscape processes: movement,…
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Advanced Drawing
DISEGNO = DISEGNO DESSEIN =DESSEIN In Italian and French, drawing and design are the same word. This course concentrates on drawing as a design tool,…
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Advanced Drawing
The course objective is to advance through drawing students\’ visual skills in artistic representation and creative imagination. Assigned and generated by students projects will…
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Landscape as Painting
The course objective is to advance through painting students’ visual skills in artistic representation and creative imagination. Assigned and generated by students projects will focus…
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Landscape as Painting
This course will not meet on Thursday, January 30th. Instead, a orientation session will be held from 11:30-1 on Friday, January 24th in room 318.
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Landscape as Painting
The course objective is to advance through painting students visual skills in artistic representation and creative imagination. Assigned and generated by students projects will…
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Painting for Designers: Techniques, Methods and Concepts
The course objective is to advance through painting students visual skills in artistic representation and creative imagination. Assigned and generated by students projects will…
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Immersive Landscape: Representation through Gaming Technology
The course is aimed at investigating new ways to interpret, conceive and describe landscape. While traditional methods of representation will prevail for some time,…
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On Landscape and Atmosphere
The seminar traces the relationship between landscape architecture and atmosphere. The varying levels of concealment or exposure, immersion or separation are primary to the…
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The Poetics of Place: Critical Writing for Designers
The seminar will explore the relationship between the written word and visual culture. Students will be expected to visit specific sites in the Cambridge/Boston…
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Projection/Installation/Intervention
Projection: Latin: Projectum, Proicere: Pro:forth, Jacere:throw, Throw-Forth, (in place and time) Action, process, state, condition, technique, effect of throwing out, away and…
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Projection/Installation/Intervention
In the coming years, one in three returning veterans from wars in Iraq and Afghanistan may be suffering from war-related post-traumatic stress, and they…
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Projection/Installation/Intervention
The course will focus on the ways in which designers and artists can help monuments \”entrenched in the past\” to become enlivened for the living…
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Interrogative Design: Animating Monuments
The course will focus on the ways in which designers and artists can help the \”entrenched in the past\” monuments to become enlivened for the…
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Basel Study Abroad Seminar: Communicating Architecture, The Architect as Author and Editor
The Course is a discussion forum as much as a hands-on lab – to debate the conditions of communication in architecture and the transition from…
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Theories and Practices of Contemporary Landscape Architecture 1950-2000
Practice, according to Garrett Eckbo, is \”knowing how to do something; theory is knowing why.\” This course will explore the \”know why\” of landscape architecture…
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Theories and Practices of Contemporary Landscape Architecture 1950-2000
Practice, according to Garrett Eckbo, is \”knowing how to do something; theory is knowing why.\”This course will explore the \”know why\” of landscape architecture since…
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Theories and Practices of Contemporary Landscape Architecture 1950-2000
Practice, according to Garrett Eckbo, is \’knowing how to do something; theory is knowing why.\’This course will explore the \’know why\’ of landscape architecture since…
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Theories and Practices of Contemporary Landscape Architecture 1950-2000
Practice, according to Garrett Eckbo, is \’knowing how to do something; theory is knowing why.\’This course will explore the \’know why\’ of landscape architecture since…
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Theories and Practices of Contemporary Landscape Architecture 1950-2006
Practice, according to Garrett Eckbo, is \’knowing how to do something; theory is knowing why.\’This course will explore the \’know why\’ of landscape architecture since…
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Theories and Practices of Contemporary Landscape Architecture 1950-2006
Practice, according to Garrett Eckbo, is \’knowing how to do something; theory is knowing why.\’This course will explore the \’know why\’ of landscape architecture since…
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Theories and Practices of Contemporary Landscape Architecture 1950-2006
Practice, according to Garrett Eckbo, is \’knowing how to do something; theory is knowing why.\’This course will explore the \’know why\’ of landscape architecture since…
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Theories and Practices of Contemporary Landscape Architecture 1950-2008
Practice, according to Garrett Eckbo, is \’knowing how to do something; theory is knowing why.\’This course will explore the \’know why\’ of landscape architecture since…
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Theories and Practices of Contemporary Landscape Architecture 1950-2008
John Beardsley, Anita Berrizbeitia
Practice, according to Garrett Eckbo, is \’knowing how to do something; theory is knowing why.\’This course will explore the \’know why\’ of landscape architecture since…
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Design Theories in Architecture
***PLEASE SCROLL DOWN FOR EXACT SCHEDULE OF MEETINGS***Throughout our investigation of twelve contemporary buildings this lecture course will examine the development of architecture during the…
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