Celosía Cosida
by Kritika Dhanda, Alkistis Mavroeidi, and Jake Rudin (all MDes ‘16) How can we create…
by Kritika Dhanda, Alkistis Mavroeidi, and Jake Rudin (all MDes ‘16) How can we create…
Students at the Harvard University Graduate School of Design teamed up with the Harvard Ceramics Program to design innovative techniques for ceramic materials. Led by Leire Asensio-Villoria, lecturer in architecture and landscape architecture, and DDes candidate Felix Raspall, the “Ceramic Materials Formations” exhibition at Gallery 224 in Allston showcased the students' exploration of fabrication techniques and the behavior of different ceramic materials.
Innovation fosters collaboration, and at the Harvard University Graduate School of Design important and exciting cross-university dialogues are always taking place. Leire Asensio-Villoria’s “Ceramic Materials Formations” exhibition is a case in point.
The Material Processes and Systems (MaPS) group at Harvard University has been experimenting. Protoceramics is an ongoing project geared toward producing novel material formations with a special interest in tectonic performance.
From under-considered thermal properties to emerging manufacturing possibilities to forestry regimes to larger ecosystem and…
The GSD and the Wyss Institute Adaptive Material Technologies platform have unveiled their first jointly developed patent pending system: the Dynamic Daylight Control System. The new prototypes have the potential to revolutionize building lighting systems with dramatic environmental and economic impacts.
MDes students Jared Friedman, Olga Mesa and Hea Min Kim (all MDes in Technology ’15) have married age-old ceramic materials with modern processes to create beautiful, innovative building surfaces. Their work caught the attention of Wired.
Unfamiliar with many of the properties and methods of working with ceramics—armed only with a…
First Prize Winner of the 3rd LIXIL International University Architectural Competition Designed by…
“In one philosophy one thinks of form or design as primarily conceptual or cerebral, something to be generated as a pure thought in isolation from the messy world of matter and energy. Once conceived, a design can be given a physical form by simply imposing…