Courses
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Visual Studies
The course objective is to develop and improve students’ skills in freehand drawing based on direct observation, and to encourage them to incorporate drawing into…
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Visual Studies: Architectural Representation: Origins + Originality
Architectural representation is an ideology – a source of ideas and visionary theorizing that has an accompanying set of origins and natures. As such, it’s…
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Architectural Representation I
Architectural Representation I: Origins + Originality Architectural representation is an ideology – a source of ideas and visionary theorizing that has a set…
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Architectural Representation I
Architectural Representation I: Origins + Originality Architectural representation as a medium blends theorizing, historization, and a unique capacity to induce a physical entity, either fictional…
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Architectural Representation I [Module 1]
Architectural Representation I: Origins + Originality Architectural representation as a medium blends theorizing, historization, and a unique capacity to induce a physical entity, either fictional…
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Architectural Representation II
Architectural Representation II: Projective Realities Along with the first architectural drawing came the problem of the relationship between the worlds of two-dimensions (drawing) and three-dimensions…
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Architectural Representation II [Module 2]
Architectural Representation II: Geometries in Interaction There has never been just one geometry. In mathematics, the Euclidean, projective, algebraic, and transformational approaches to geometry each…
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Architectural Representation II
Architectural Representation II: Projective Disciplines This course examines the history, theory, and practice of projective and descriptive geometry. Invented as techniques to draw form, these…
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Architectural Representation II
Architectural Representation II: Projective Disciplines This course examines systems of projection as constructs that mediate between our spatial imagination and built form. Projective systems have…
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Architectural Representation II
Architectural Representation II: Projective Disciplines Course Summary This course examines systems of projection as constructs that mediate between our spatial imagination and built form. Projective…
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Projective Representation in Architecture
This course examines the history, theory and practice of parallel (orthographic) and central (perspective) projection. The objective is to provide the tools to imagine and…
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Projective Representation in Architecture
This course examines the history, theory and practice of parallel (orthographic) and central (perspective) projection. The objective is to provide the tools to imagine and…
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Architectural Representation II
This course examines the history, theory and practice of parallel (orthographic) and central (perspective) projection. The objective is to provide the tools to imagine and…
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Digital Media: Telepresence
Telepresence refers to a set of technologies that provide stimuli to a user’s senses, so that the person feels as if they are present or…
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Digital Media II
This class explores the design and science of logical form making, examined through geometry, parametric control, algorithms, and digital tools. The point of departure is…
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Digital Media: Design Systems
The course is an introduction to fundamental concepts, methods and practical techniques in design computation with emphasis on a systems perspective.
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Digital Media: Image
Over the past three decades the architectural process has been drastically reorganized by what historian Jonathan Crary calls “a transformation in the nature of visuality…
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Digital Media: Models
This course is an introduction to fundamental concepts, techniques, and methods related to digital media in architecture and design, with a focus…
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Digital Media: Manipulations
This course is an introduction to fundamental concepts, techniques, and methods in digital design with a focus on reciprocal processes of translation…
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Digital Media: Artifacts
This course is an introduction to fundamental concepts, techniques, and methods related to digital media in architecture and design, with a focus…
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Digital Media: Models
This course is an introduction to fundamental concepts, techniques, and methods related to digital media in architecture and design, with a focus…
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Digital Media: Composition
This course proposes a conceptual opposition between “filter” and “fill” to investigate the ways image analysis techniques augment topics in architectural composition.
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Digital Media: Not Magic
According to folklore, Michelangelo fell to his knees upon seeing the Florentine fresco Annunciation, went silent, and eventually concluded that the image…
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Digital Media: Errors and Omissions
errare — to move without clear direction, departing from truth, norm, or some other analog of unity omittere — fail to use or do, neglect…
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Digital Media: Errors and Omissions
errare — to move without clear direction, departing from truth, norm, or some other analog of unity omittere — fail to use or do, neglect…
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Digital Media: Power Tools
This course aims to leverage collective and DIY-knowledge-building as a representational technique and a tool of power. It begins with the premise that a site…
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Responsive Environments
The course introduces students to the tools and design methods for creating responsive environments and technologically driven experiences in the built environment. By putting the…
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Curatorial Practice: Curating Contemporary Art
Today, everybody is a curator—we supposedly curate our meals, our social media feeds, and our outfits. But what does it mean to…
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Offsite/Onsite: Curating Contemporary Art
Today, everybody is a curator—we supposedly curate our meals, our social media feeds, and our outfits. But what does it mean to curate exhibitions of…
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Representation First (!!!), Then Architecture
Current tendencies in the discipline suggest a split between two opposing architectural projects: the easy project versus the difficult project[1]. Primarily related…
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Representation First (!!!), Then Architecture
Current tendencies in the discipline suggest a split between two opposing architectural projects: the easy project versus the difficult project. Primarily…
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MAKE/BELIEVE
How does the action of making reflect, produce, enhance, aggregate, and/or suspend the beliefs of authors and audiences? This hybrid production-theory course…
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Graphic / Volume Conflations
“The myth of the Neutral Tool under complete human control and the myth of the Autonomous Destiny that no human can…
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Exhibit: Designing for Decentralization
“Exhibit: Designing for Decentralization” is an advanced research- and project-based course initiated by the Art, Design, and the Public Domain (ADPD) MDes…
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Mini MOOCs
INTRO. Distance learning tools are here to stay. The course will introduce students to make their own mini MOOCs (Massive Open Online…
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BISCUITS, JERKY, JELLY
The intersections between film and architecture have been heavily discussed since the turn of the twentieth century. “Of all the arts,” wrote architectural historian and…
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Home-Active: Furniture Design Beyond Social Media Complacency
In today’s algorithmically determined digital environments, interiors have become pinterested images of themselves, standardized compositions in predictable declinations. Whether luxurious or affordable,…
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Interior Residential Planning, Furnishings, and Materials
Buildings are inseparable from Interior Planning. The objective of this course is to design interior space in existing freestanding residential buildings and urban apartments. Projects…
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Exhibiting Architecture
In this seminar students will engage with curatorial studies and the specific domain of “exhibiting architecture.” Not only the “art of display,” from exhibition design…
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Paper or Plastic: Reinventing Shelf Life in the Supermarket Landscape
We tend to assume that supermarkets are static, neutral spaces where little of significance ever happens. The supermarket shelf is actually a highly volatile, hyper-competitive…
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Paper or Plastic: Reinventing Shelf Life in the Supermarket Landscape
We tend to assume that supermarkets are static, neutral spaces where little of significance ever happens. The supermarket shelf is actually a highly volatile, hyper-competitive…
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Paper or Plastic: Reinventing Shelf-life in the Supermarket Landscape
The supermarket shelf is a highly volatile, hyper-competitive space. On this shelf products struggle to maximize every possible advantage, all in a…
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Paper or Plastic: Reinventing Shelf-life in the Supermarket Landscape
The supermarket shelf is a highly volatile, hyper-competitive space. On this shelf products struggle to maximize every possible advantage, all in a…
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Paper or Plastic: Reinventing Shelf-life in the Supermarket Landscape
The supermarket shelf is a highly volatile, hyper-competitive space. On this shelf products struggle to maximize every possible advantage, all in a…
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Paper or Plastic: Reinventing Shelf Life in the Supermarket Landscape
We tend to assume that supermarkets are static, neutral spaces where little of significance ever happens. The supermarket shelf is actually a…
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Paper or Plastic: Reinventing Shelf Life in the Supermarket Landscape
We tend to assume that supermarkets are static, neutral spaces where little of significance ever happens. The supermarket shelf is actually a…
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Paper or Plastic: Reinventing Shelf Life in the Supermarket Landscape
We tend to assume that supermarkets are static, neutral spaces where little of significance ever happens. The supermarket shelf is actually a…
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Drawing for Designers: Techniques of Expression, Articulation, and Representation
The course is intended as a creative drawing laboratory for designers and an expressive and a playful supplement to computer based labor.
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Drawing for Designers: Techniques of Expression, Articulation, and Representation
The course is intended as a creative drawing laboratory for designers and an expressive, playful supplement to computer-based labor. This course will…
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Drawing for Designers: Techniques of Expression, Articulation, and Representation
The course is intended as a creative drawing laboratory for designers and an expressive, playful supplement to computer-based labor. This course will…
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