Elisa Silva, “Territorial inequality and the urban Cassandras of our times”

Elisa Silva, “Territorial inequality and the urban Cassandras of our times”

Elisa Silva canopy
Event Location

Gund 112 Stubbins

Date & Time
Free and open to the public

As slums emerged in the XX century due to rapid rural-urban migration, modern design discourse had developed an important chapter on multifamily housing that folded neatly into the shelter demands brought on by migration. Decades later, social housing continues to enjoy a prominent seat in design discourse and public policy despite the observable fact that self-built homes have been far more effective in housing important segments of the urban population in cities of the developing world, and have created a considerable proportion of the built environment. The stark territorial inequality this urban reality manifests seemingly remains outside the scope of social housing, and reveals a passive or even evasive response to this “urban Cassandra” of our time.

Inquiries into approaches to territorial inequality pursued by Enlace Arquitectura over the past 11 years include public space making, community engagement projects, public policy and research in urban and rural contexts. Please join this evolving conversation.

 

Elisa Silva is director and founder of Enlace Arquitectura established in Caracas Venezuela 2007. Projects focus on raising awareness of spatial inequality and the urban environment through public space, the integration of informal settlements and community engagement in rural landscapes. Public space interventions in informal settlements through participatory methodologies are also central to Enlace´s practice, and were recently featured in the XX Architecture and Urbanism Biennial in Valparaiso Chile 2017. Other awards include the XXII Ibero-American Biennale of Architecture and Urbanism for the Sabana Grande Pavement Project in Caracas Venezuela 2012; and the Walk 21 Award for Puerto Encantado Higuerote Venezuela 2015.

Elisa is co-author of Pro-Inclusion: Practical tools for the integral development of Latin American cities (CAF Latin American Development Bank, 2016) and CABA Cartography of the Caracas Barrios 1966-2014 (Fundación Espacio 2015). In 2017, she was awarded a Graham Foundation Grant for the publication Pure Space: Expanding the Public Sphere through Public Space Transformations in Latin American Informal Settlements, (Actar, 2019). In 2011, she received the Wheelwright Fellowship and the Rome Prize from the American Academy in Rome in 2005. She teaches at the Simon Bolívar University in Caracas Venezuela and is a consultant to UN Habitat and CAF. She grew up between St. Louis and Venezuela, and is a graduate of the GSD 2002.

Michael Van Valkenburgh, “New Parks”

Frederick Law Olmsted Lecture

Michael Van Valkenburgh, “New Parks”

Michael Van Valkenburgh
Event Location

Piper Auditorium

Date & Time
Free and open to the public
  This lecture is summary of thirty years of park-making by Michael Van Valkenburgh Associates with a concentration on Teardrop Park, Lower Don River, Brooklyn Bridge Park, and the 2018 winning entry for Detroit’s West Riverfront Park.  

Michael Van Valkenburgh is the founder of the landscape architecture firm Michael Van Valkenburgh Associates, with offices in Brooklyn, New York and Cambridge, Massachusetts. The firm works at all scales, from large urban green spaces like Brooklyn Bridge Park to intimate gardens like the Monk’s Garden at the Isabella Stewart Gardner Museum in Boston. Other recent projects include Dorothea Dix Park in Raleigh, The Obama Presidential Center in Chicago, A Gathering Place for Tulsa, and master planning and design for a new neighborhood at the mouth of Toronto’s Lower Don River.

Michael earned a Bachelor of Science in Landscape Architecture from Cornell University’s College of Agriculture and a Master of Fine Arts in Landscape Architecture from the University of Illinois at Urbana-Champaign.

Currently the Charles Eliot Professor Emeritus in Practice of Landscape Architecture at Harvard’s Graduate School of Design, Michael is a registered landscape architect in more than 25 states.

Fritz Haeg, Nils Norman, and Julieta González

Rouse Visiting Artist Lecture

Fritz Haeg, Nils Norman, and Julieta González

An image of "proposal for a plaza" by artists Fritz Haeg and Nils Norman, on view at Museo Jumex, Mexico City
Event Location

Piper Auditorium

Date & Time
Free and open to the public
Please join us for a conversation between visual artists Fritz Haeg and Nils Norman and Julieta González, Artistic Director of Museo Jumex. They will discuss their recent project Proposals for a Plaza at Museo Jumex. Proposals for a Plaza was commissioned as part of the series Agora: Blueprints for a Utopia, and the temporary sculptural installation invites the public to imagine and participate in an alternative vision for the museum’s plaza. Their design is guided by principles laid out in the 1977 book A Pattern Language: Towns, Buildings, Construction by Christopher Alexander (PhD ’63).

 

Julieta González works at the intersection of anthropology, cybernetics, architecture, design and the visual arts. More recently she has developed research and exhibitions addressing decolonial aesthetics in Latin America. She is currently artistic director of Museo Jumex in Mexico City. She has also held curatorial positions at Museu de Arte de Sao Paulo, Museo Tamayo, Mexico City, the Bronx Museum, Tate Modern, Museo de Bellas Artes de Caracas, and Museo Alejandro Otero. She has organized over 60 exhibitions internationally, amongst which, Memorias del subdesarrollo (MCASD, Museo Jumex, MALI); Franz Erhard Walther – Objects, To Use/ Instruments for Processes (Museo Jumex); Jaime Davidovich: Adventures of the Avant-Garde (Bronx Museum); Juan Downey: A Communications Utopia, Stephen Willats: Man from the 21st Century (Museo Tamayo, Mexico City); Ways of Working: The Incidental Object (Fondazione Merz, Torino);  Parque Industrial (Galería Luisa Strina, São Paulo); Etnografía: modo de empleo (Museo de Bellas Artes Caracas). She has also been involved as co-curator or guest curator of international exhibitions such as the 2da Trienal Poligráfica de San Juan 2009, Biennale de Lyon 2007, Insite San Diego/Tijuana 2005, Prague Biennale 2003. Her essays have been published in  books, exhibition catalogues, magazines and journals. She holds an MA in Cultural Studies and Critical Theory from Goldsmiths, London, was a Helena Rubinstein Fellow at the Whitney Museum Independent Study Program, and studied architecture at Universidad Simón Bolívar, Caracas, and the École d’Architecture Paris-Villemin.

 

Fritz Haeg’s work has included animal architecture, crocheted rugs, domestic gatherings, edible gardens, educational environments, public dances, sculptural knitwear, temporary encampments, urban parades, wild landscapes, and occasionally buildings for people. Recent projects include Edible Estates – an international series of domestic edible landscapes; Animal Estates – a housing initiative for native wildlife in cities around the world; Domestic Integrities – installations and gatherings staged on massive crocheted rugs of discarded clothing and textiles that expand as they travel; various projects of designing, constructing, parading & rewilding; and Sundown Schoolhouse – an evolving series of educational environments and initiatives which evolved out of the Sundown Salon gatherings at his geodesic home base in the hills of Los Angeles. In 2014 Haeg began a new chapter of work with the purchase of the 1970’s commune Salmon Creek Farm on the Mendocino Coast. It continues as a place to take a step back from contemporary urban society and starts a new chapter as a long-term art project formed by many hands, a new sort of commune-farm-homestead-sanctuary-school hybrid. Haeg has produced and exhibited projects internationally, including at the 2008 Whitney Biennial, the Walker Art Center, the Museum of Modern Art, Tate Modern, the Hayward Gallery, the Liverpool Biennial, San Francisco Museum of Modern Art, the Berkeley Art Museum, and the Hammer Museum among other institutions.

 

Nils Norman is an artist living in London working across the disciplines of public art, architecture and urban planning. His projects
 challenge notions of the function of public art and the efficacy of mainstream urban planning and large-scale regeneration. Informed by local politics and ideas on alternative economic, ecological systems and play,
 Norman’s work merges utopian alternatives with current urban design to create a humorous critique of public art and urban planning. He exhibits and generates projects and collaborations in museums and galleries internationally. He has completed major public art projects, 
including pedestrians bridges, playgrounds and theatre curtains. He has participated in various biennials worldwide and has developed commissions for SculptureCenter, Long Island City, NY; London Underground, UK; Tate Modern, UK; Museo Jumex, Mexico City; Creative Time, NYC and the Centre d’ Art Contemporain, Geneva, Switzerland. He has developed  a play strategy and designs for Mereside in Blackpool; designed a playground for the St Fagans Museum of National History in Cardiff; designed a new library for the Gerrit Rietveld Academy in Amsterdam; and has created theatre curtains for a school and community centre in Bristol. He is also the lead artist for the city of Cambridge’s project to redevelop part of Trumpington, an area on the city’s southern fringe.  He is the author of: Edible Park, Nils Norman. Eds. Taco de Neef, Nils Norman, Peter de Rooden, Astrid Vorstermans. Valiz, NL. 2012; Thurrock 2015, a comic commissioned by the General Public Agency, London, UK, 2004; An Architecture of Play: A Survey of London’s Adventure Playgrounds, Four Corners, London, UK, 2004; and The Contemporary Picturesque, Book Works, London, UK, 2000.

 

Marty Poirier, “The Creativity Continuum | How I learned about the place of art and design in culture”

Marty Poirier, “The Creativity Continuum | How I learned about the place of art and design in culture”

Marty Poirier landscape design for the Getty Museum
Event Location

Gund 112 Stubbins

Date & Time
Free and open to the public

Poirier will discuss the people and places that have shaped his sensibilities about his role as a designer of landscapes, along with the landscapes he has created.

 

For 40 years, Marty Poirier has combined insatiable curiosity with love of community life to practice landscape architecture fused with urbanity, social purpose, and aesthetics.  His designs strive to shape expressive places that people connect with.

Marty’s career is filled with assignments informed by the downtown centers in which he has lived and worked – Detroit, Chicago, Los Angeles, San Francisco, Cambridge, New York, and San Diego.  His work has focused on places of dense human interaction – parks, college campuses, and city centers – where rigorous site analysis and program definition are masterfully transformed into remarkable landscapes.

After 27 years of co-directing SPURLOCK POIRIER Landscape Architects, Marty rejoined mentor Peter Walker, to practice with PWP Landscape Architecture.

The recipient of numerous design awards, Poirier has lectured widely throughout North America.  He serves on the Harvard GSD Alumni Council, and co-founded the Harvard DISrupt! conference series.

Poirier finds great inspiration for his aesthetic pursuits through dialogue and collaborative projects with a diverse range of artists including Robert Irwin, Alexis Smith, Quincy Troupe, Ned Kahn, and Tim Hawkinson. This passion for aesthetics – conditioned to each setting – shapes his ongoing collaboration with Chef Thomas Keller and Laura Cunningham at The French Laundry and Bouchon.

José Esparza Chong Cuy, “Building Cycles”

José Esparza Chong Cuy, “Building Cycles”

curator José Esparza sitting at a table.
Event Location

Gund 112 Stubbins

Date & Time
Free and open to the public

This lecture will look into the life cycle of exhibitions, institutions, and buildings through a selection of projects Esparza Chong Cuy has been involved in over the last decade.

 

José Esparza Chong Cuy is the newly appointed Executive Director and Chief Curator at Storefront for Art and Architecture. He will be assuming this position on November 1st, 2018 after stepping down from his current role as the Pamela Alper Associate Curator at the Museum of Contemporary Art Chicago (MCA), which he joined in 2016. At the MCA, he recently co-organized a major collection exhibition to celebrate the museum’s 50th anniversary and curated solo shows of Tania Pérez Córdova and Mika Horibuchi, as well as a major commission with Federico Herrero. Esparza Chong Cuy will continue to oversee as curator a solo exhibition of Jonathas de Andrade, a collection show of recent acquisitions, and a large-scale retrospective on the life and work of Lina Bo Bardi, co-organized with the Museu de arte de São Paulo and the Museo Jumex in Mexico City. Prior to the MCA, Esparza Chong Cuy was Associate Curator at the Museo Jumex. From 2007-2012 he lived in New York and held positions as Curatorial Associate at Storefront for Art and Architecture, Research Fellow at the New Museum for Contemporary Art, and contributing editor at Domus magazine. In 2013 he was Co-Curator of the Lisbon Architecture Triennial, titled Close, Closer. He is a graduate of Columbia University’s M.S. in Critical, Curatorial, and Conceptual Practices in Architecture.

Bruno Latour, “A Tale of Seven Planets – An Exercise in Gaiapolitics”

Senior Loeb Scholar Lecture

Bruno Latour, “A Tale of Seven Planets – An Exercise in Gaiapolitics”

Bruno Latour. Photo by H. Assouline
Event Location

Piper Auditorium

Date & Time
Free and open to the public

Until recently the expression ‘we don’t live in the same planet’ was a metaphorical way of expressing no more than a disagreement. Today it has taken a literal meaning that the lecture will pursue in trying to map contrasted definitions of what used to be called “the natural world”.

Bruno Latour is now emeritus professor associated with the médialab and the program in political arts (SPEAP) of Sciences Po Paris. Since January 2018 he is for two years fellow at the Zentrum fur Media Kunst (ZKM) and professor at the HfG both in Karlsruhe. Member of several academies and recipient of six honorary doctorate, he is the recipient in 2013 of the Holberg Prize. He has written and edited more than twenty books and published more than one hundred and fifty articles. You can find more informations on his website (http://www.bruno-latour.fr/).

Click here to read an article co-authored by Latour on the subject of Gaiapolitics.

Sou Fujimoto, “Between Nature and Architecture”

Sou Fujimoto, “Between Nature and Architecture”

Sou Fujimoto's L'Arbre Blanc project
Event Location

Piper Auditorium

Date & Time
Free and open to the public

In this lecture Fujimoto will discuss the relationship between nature and architecture as well as that between nature and man-made environment.

 

Sou Fujimoto was born in Hokkaido in 1971. Graduated from the Department of Architecture, Faculty of Engineering at Tokyo University, he established Sou Fujimoto Architects in 2000. In 2018, he won two International Competitions for the Village Vertical in site of Rosny-sous-Bois and for the HSG Learning Center in Saint Gallen. In 2017, he was the winner of two International Competitions, for the Nice Meridia and the Floating Gardens in Brussels. In 2016, he has won the 1st prize for “Pershing”, one of the sites in the French competition called ‘Réinventer Paris’, following the victories in the Invited International Competition for the New Learning Center at Paris-Saclay’s Ecole Polytechnique and the International Competition for the Second Folly of Montpellier in 2014. In 2013 he became the youngest architect to design the Serpentine Gallery Pavilion in London. His notable works include; “Serpentine Gallery Pavilion 2013” (2013), “House NA” (2011), “Musashino Art University Museum & Library” (2010), “Final Wooden House”(2008), “House N” (2008) and many more.

Mohammad al-Asad, “The Center for the Study of the Built Environment (CSBE): A Twenty-Year Journey”

Aga Khan Program Lecture

Mohammad al-Asad, “The Center for the Study of the Built Environment (CSBE): A Twenty-Year Journey”

Mohammed Al Assad
Event Location

Gund 112 Stubbins

Date & Time
Free and open to the public
 

 

This presentation tells the story of CSBE (www.csbe.org), an independent non-profit think / do tank. It focuses on exploring how fields connected to the built environment, including architecture, urbanism, landscape architecture, heritage conservation, and construction technologies, can enhance the public good. In doing so, CSBE has been involved in collecting, documenting, and processing data; carrying out research projects; disseminating accumulated knowledge and information through print and online publications, lectures, workshops, as well as courses; and implementing pilot projects.

The presentation will focus on how CSBE has worked on realizing its goals since its inception in Jordan about two decades ago. These goals could not be realized merely through striving for technical proficiency. There also has been a need to develop appropriate internal financial and administrative systems, as well as navigating complex and continuously-changing legal environments. In addition, the importance of grasping available opportunities for collaboration and the development of support networks with relevant organizations and individuals cannot be underestimated.

 

Mohammad al-Asad is an architect and architectural historian. He is the Founding Director of the Center for the Study of the Built Environment in Amman (CSBE; www.csbe.org), an independent private, non-profit think / do tank that was established in 1999.

He studied architecture at the University of Illinois at Urbana-Champaign, and history of architecture at Harvard University before taking on post-doctoral research positions at Harvard and at the Institute for Advanced Study in Princeton. He taught at Princeton University, the Massachusetts Institute of Technology, the University of Jordan, the German Jordanian University, and the University of Illinois at Urbana-Champaign, where he was the Alan K. and Leonarda Laing Distinguished Visiting Professor. He was also an adjunct professor at Carleton University in Ottawa. In addition, he has been involved in teaching Open Massive Online Courses (MOOC) in both Arabic and English on architecture and urbanism for the Edraak Platform of the Queen Rania Foundation for Education and Development, and for the Aga Khan Trust for Culture Education Program.

He has published extensively in both Arabic and English on architecture and urbanism. He is the author of Contemporary Architecture and Urbanism in the Middle East (2012). He also co-edited (with Rahul Mehrotra) Shaping Cities: Emerging Models of Planning Practice (2016), and edited Workplaces: The Transformation of Places of Production: Industrial Buildings in the Islamic World (2010). In addition, he is a contributor to the forthcoming 21st edition of Sir Banister Fletcher’s A History of Architecture.

Al-Asad has appeared in documentary films including Islamic Art: Mirror of the Invisible World (2012), and also led the production of films including Arab Women in Architecture (2014).

He is a member of the board of directors of the Jordan National Gallery of Fine Arts (part of the Royal Society for Fine Arts). He also had served as the Coordinator of the International Academic and Curatorial Committee for the Discover Islamic Art project of the Museum With No Frontiers, and was a member of the Amman Commission, which served as an advisory body for the Mayor of Amman.

Al-Asad was a project reviewer for the Aga Khan Award for Architecture between 1989 and 2007, and has been a member of the Award’s Steering Committee for its 2010, 2013, 2016, and 2019 cycles.

This event is supported by the Aga Khan Program at the GSD.

Hannah Beachler with Jacqueline Stewart

Rouse Visiting Artist Lecture

Hannah Beachler with Jacqueline Stewart

Hannah Beachler on Casino Set with Set Decorator Jay Hart. Photo by Alex McCarroll
Event Location

Piper Auditorium

Date & Time
Free and open to the public
Host
Toni L. Griffin

Hannah Beachler is a prolific production designer with an affinity for evocative designs and visuals. She crafts unique emotional landscapes for every story.

She recently began prepping for her next project with director and frequent collaborator Melina Matsoukas, the pilot for FX’s Y: The Last Man, based on the comic book series.

Beachler designed Marvel’s Black Panther for director Ryan Coogler, which just became the 9th-highest grossing film of all time. Her incredible work on the film earned her a 2018 Saturn Award for Best Production Design. She previously collaborated with Coogler on: Creed, the spinoff from the Rocky film series starring Michael B. Jordan and Sylvester Stallone; and Fruitvale Station, the 2013 Sundance Film Festival breakout film and winner of the Prix de L’Avenir in the Un Certain Regard competition at the 2013 Cannes Film Festival.

She also collaborated with director Barry Jenkins on the 2017 Best Picture Oscar-winning film, Moonlight, a coming-of-age tale that transcends traditional genre boundaries. The film was named one of the top 25 movies of the 21st century by the New York Times.

In 2016, Beachler designed Beyoncé’s stunning visual concept album Lemonade and took home the 2017 Art Directors Guild Award for Excellence in Production Design for Awards or Event Special and earned a 2016 Emmy nomination for Outstanding Production Design For A Variety Nonfiction Event Or Award Special.

Current collaborators include: Academy Award-nominated director Dee Rees, Grammy and Emmy-nominated director Khalil Joseph, Grammy Award-winning director Melina Matsoukas, Academy Award-nominated cinematographer Rachel Morrison, prolific cinematographers Maryse Alberti and Malik Sayeed, and legendary Academy Award-winning costume designer Colleen Atwood. Based in New Orleans, she is represented in the United States by DDA.

Jacqueline Stewart is Professor in the Department of Cinema and Media Studies at the University of Chicago. Her research and teaching explore African American film cultures from the origins of the medium to the present, as well as the archiving and preservation of moving images, and “orphan” media histories, including nontheatrical, amateur, and activist film and video. She directs the Southside Home Movie Project and the Cinema 53 screening and discussion series. Jacqueline is also Director of the Gray Center for Arts and Inquiry at University Chicago and co-curator of the L.A. Rebellion Preservation Project at the UCLA Film and Television Archive. She also serves as an appointee to the National Film Preservation Board.

Stewart is the author of Migrating to the Movies: Cinema and Black Urban Modernity, which has achieved recognition from the Society for Cinema and Media Studies and the Black Caucus of the American Library Association. She is a member of the American Academy of Arts and Sciences, and has been awarded fellowships from the Smithsonian National Museum of African American History and Culture, the Franke Institute for the Humanities at University of Chicago, the Shelby Cullom Davis Center for Historical Studies at Princeton University, and the New York Public Library’s Schomburg Center for Research in Black Culture Scholars-in-Residence Program.

Stewart earned her AM and PhD in English from the University of Chicago and an AB in English with interdisciplinary emphasis from Stanford University.

Carla Juaçaba, “Empty Space”

Carla Juaçaba, “Empty Space”

Vatican Chapels by Carla Juaçaba - © Federico Cairoli
Event Location

Piper Auditorium

Date & Time
Free and open to the public

The lecture will present recent projects, focusing on Venice Architecture Biennale 2018: the project “Vatican Chapels” for the Holy See Pavilion, and “Ballast” for the curators of the Biennale. The continuity of the “Humanidade Pavilion”, a few exhibition designs done in Rio de Janeiro and housing project will also be presented.

 

Since 2000, Carla Juaçaba has developed her independent practice of architecture and research from its base in Rio de Janeiro. Her office is currently engaged in both cultural programs and private projects.

After graduating, she worked on the Atelier HouseRio Bonito HouseVaranda HouseSanta Teresa House, and several exhibition designs. The ephemeral Pavilion Humanidade 2012 for Rio+20 was conceived with the theater director Bia Lessa.

Carla Juaçaba frequently takes part in academic and teaching opportunities as well as research studies. Recently she has given lectures at the GSD, Columbia University GSAPP, and Academia di Architettura Mendrisio. She’s led workshops at IUAV di Venezia in 2014 and was on the jury at BIAU Bienal Ibero Americana in Madrid 2012. She won the first edition of the international prize ArcVision Women and Architecture in 2013. For the Venice Architecture Biennale 2018, she has contributed the project BALLAST, as well being one of architects commissioned for the Vatican Chapels project for the Holy See Pavilion.